【作者】 杨新；

【导师】 郑炳林；

【作者基本信息】 兰州大学 ， 历史文献学， 2013， 硕士

【摘要】 敦煌石窟中的山水纹袈裟是中国佛教艺术与中国绘画艺术结合的产物,文章在全面搜集敦煌地区石窟中山水纹袈裟的基础上,结合佛教史籍、敦煌遗书以及中国山水画史,对莫高窟与榆林窟中的山水纹袈裟进行探析。阐释了山水纹袈裟的历史渊源,从山水审美思想与佛教的关系、佛教戒律、敦煌遗书以及石窟功能四个方面,探究了山水纹袈裟产生的历史背景。文章重点回顾中原山水画发展史,进而分析敦煌石窟中历代山水画艺术风格发展历程,对敦煌地区石窟中不同时期的山水纹袈裟从构图、造型、赋色方法、绘画技法等方面从美学角度进行具体艺术分析,得出三者之间递进继承的关系,以明晰敦煌地区石窟山水纹袈裟的渊源、流变、风格样式。更多还原

【Abstract】 The landscape pattern cassock in the Dunhuang Grottoes is the production of the combination of Chinese Buddhist art and the art of traditional Chinese painting. This article aims to analyze landscape pattern cassock in Mogao and Yulin Grottoes based on co mprenensive collection of landscape pattern cassock in Dunhuang area, combining with Buddhist Historiography, Dunhuang documents and history of Chinese landscape painting. The article exp lains the history of landscape pattern cassock, explores the the historical background from the rel ationship between landscape aesthetic with Buddhism, the Buddhist precepts, Dunhuang docume nts and the function of grotto four aspects. The article focus on reviewing the history of the Centr al Plains landscape painting, and then analyzes the development of ancient art style of landscape painting of Dunhuang Grottoes in different periods,analyze the landscape pattern cassock in Dun huang Grottoes from several perspectives such as the composition, modeling and color-imparting, painting techniques,styles and the significance of landscape pattern cassock in the Dunhuang G rotto. Then, concludes the progressive development and clarify the origin, the rise and fall,style s and the significance of landscape pattern cassock in the Dunhuang Grotto.更多还原