【作者】 刘敏；

【导师】 唐家路；

【作者基本信息】 山东工艺美术学院 ， 艺术学， 2012， 硕士

【摘要】 20世纪世纪80年代以来的民艺研究具有一定的典型特征，本文围绕着这一时期民艺研究的主导方向，从中选取了部分代表性的、能够体现本阶段民艺研究特点与趋向的理论内容进行分类、梳理、总结，并展开适当的分析，以民艺基础理论的研究为起点，上升到民艺学科研究的探讨，并对民艺与文化发展的研究进行分析。第一，对民艺基础理论研究的探讨。对民艺基础理论的研究是民艺研究中一个的基础层次，也是本文结构的基础层次。本文对民艺基础理论的理解主要包含民艺概念及性质、民艺特征、民艺功能。对民艺及其相关概念的理解和阐释是民艺研究的基本问题之一，进而由民艺的基本概念引申出对民艺性质的研究。同时，对民艺的概念内涵以及性质的分析与民艺功能的研究也是分不开的，三者共同探讨了“民艺是什么”的问题。而民艺的功能研究在此基础上进一步表明了“为什么要进行民艺研究”的问题。第二，对民艺学科探讨的总结。民艺学科的建立需要从基础研究入手，通过各种研究形式，从而进入学科研究的广泛学术领域。由于民艺和民间美术学科的建设在这一阶段开始从理论上确立，所以其理论研究也成为民艺研究中具有代表性的理论成果，但同时民艺学科研究的相关理论内容不够丰富，本文论述的篇幅也较为简短。主要从民艺学科的学科构架研究、民艺学的对象研究、民艺学的方法研究、民艺学的理论交叉研究四个方面进行一定的分析。第三，对民艺与文化发展关系研究的分析。这是本文探讨的重点。围绕民艺的基本文化内涵，民艺造物与民间文化、民俗文化等产生了相互依存的关系。所以，对民艺与文化发展的关系进行研究成为这一时期民艺研究的主导方向。本文将从民间文化及其观念内涵的理论研究入手，对民艺与民间文化的关系及其在民间文化中的作用研究进行了相关分析。以往的研究表明，民间文化观念同时规约了民俗和民艺的性质，民俗与民艺之间的关系更是专家、学者付诸心力的研究领域，由此，对“民艺与民俗文化研究”的代表性观点进行整理是另一个重要的内容。文化的不断演进，新的研究内容也会随着呈现出来，随着非物质文化遗产研究与保护的深入，民艺与非物质文化遗产这一较为新鲜的概念之间的联系也开始受到人们的关注，本文将对民艺与非物质文化遗产的关系研究，以及由此引发的非物质文化遗产与民艺的传承与保护研究进行梳理和分析，并对新时代民艺与文化创意产业的关系特征研究进行了简单的整理。本文结论认为：民艺基础理论研究以“民艺”的概念内涵为起点；民艺学科理论的探讨以“交叉学科”的性质为主线；民艺与文化发展的研究突出表现为民艺的“文化演进”。更多还原

【Abstract】 Century since the1980s, Twentieth Century Folk Art has some typicalcharacteristics of the selected part of the representative from this particular historicalstage, to reflect the theoretical study of the folk art characteristics and trends in thisstage classification, combing, summarize, and to conduct a proper analysis, the basictheory of the folk art of starting to rise to the study of folk art disciplines, and toanalyze the height of the folk art and cultural development. First, explore the basictheoretical research on folk art. The basic theory of the Folk Art Folk Art, a basic level,the basic level of the structure of the paper. The basic theory of folk art, mainlyincludes the concept and nature of folk art, folk art characteristics, the function of folkart. Understanding and interpretation of folk art and its related concepts is one of thebasic questions of the study of folk art, and then extended by the folk art of the basicconcepts of the nature of Folk Art. The same time, the connotation of the concept offolk art and analysis of the nature and folk art features, is inseparable from the three todiscuss "Folk Art". The function of the Folk Art On this basis, further evidence thatthe "Why Folk Art".Second, folk art disciplines of the summary. The establishment ofthe China art disciplines need to start from basic research through a variety ofresearch to enter a wide range of academic fields of interdisciplinary research. Folkart and folk art disciplines, construction began in the1980s established theory, thetheoretical study to become a representative of the theoretical results in the study offolk art, but also precisely because of the above reasons, folk art disciplines Thetheoretical content of the study is not enough of this paper is relatively short length.Disciplinary framework mainly from the disciplines of folk art, folk art object of study,method study of folk art, folk art theories crossover study of four aspects of theanalysis.Third, On the folk art and cultural development of research and analysis, thisis the focus of this paper. On the basic connotation of the folk art, the creation of folkart and folk culture, folk culture has had a relationship of interdependence. Therefore,to study the relationship between the arts and cultural development in China to become the dominant direction of Folk Art in the1980s. This article from thetheoretical study of the folk culture and the concept of connotation to start, therelationship between folk art and folk culture and its role in popular culture of the sort.Previous studies have shown, the concept of folk culture at the same time the Statuteof the relationship between folklore and folk art, nature, folklore and folk art, moreexperts and scholars to put the effort of research areas, Folk Art and Folk CultureResearch " The finishing of the representative point of view is another importantelement. The same time, the culture evolving, new content will be as the link betweenthis relatively new concept presented, with the depth of the research and protection ofintangible cultural heritage, folk art and intangible cultural heritage began to beattention, this article will be China Arts and intangible cultural heritage research, andthe consequent non-material cultural heritage and the heritage and protection of theFolk Art sort out and analyze, and new development of a new era of folk art--asimple collation of the relationship between the characteristics of the cultural andcreative industries.This article concludes that: Folk art in basic theoretical research to theconnotation of " folk art " as a starting point; Folk art discipline theory discussion to"interdisciplinary" nature as the main line; Folk art and cultural development ofoutstanding performance for folk art" cultural evolution".更多还原