【作者】 汪伶俐；

【导师】 包鹏程；

【作者基本信息】 安徽大学 ， 新闻学， 2012， 硕士

【摘要】 从1999年1月1日《牛哥的故事：别了!冬天》开始,电影频道节目中心制作的电视电影宣告诞生。电视电影发展至今已有十余年的时间,十年来百合奖金鸡奖的颁奖典礼上,我们总能被乡村题材的电视电影深深感动着。十年间乡村题材的电视电影也塑造了太多感人至深的人物形象,他们的生命存在都深深地印刻着这个时代的变迁。费孝通先生在《乡土中国》中就提到过我们不妨先集中注意哪些被称为土头土脑的乡下人。统观十年来的乡村题材的电视电影中的人物形象,对于旁观者而言,就是关心中国土地上最基本的问题；作为一个研究者,不仅可以窥见电视电影这一新的艺术样式所具有的共性,包括文本特点,艺术特征等；更重要的是,用形象构建理论,叙事学,符号学等理论分析乡村题材电视电影中人物形象的艺术特色,审美特点,因为这些对于同类题材的创作具有实践指导作用。不仅如此,主流媒体控制主流价值观,电视电影无一例外烙上了国家意识形态的印记,这使得乡村人物形象的构建具有深层的社会意义。1999-2009年是中国电视电影走过的第一个十年,也正是电视电影尤其是乡村题材电视电影快速发展的十年。它的产量之多,影响甚广,在对其进行梳理的时候,笔者分析了这种特殊题材存在的意义价值以及乡土情结和受众的接受场,并将十年来所获得的乡村印象分成三种类型：走不出藩篱的充满悲天悯人气息的乡村人印象；城市视角下充满隔阂的乡村人印象；新政治话语中享受幸福的乡村人印象。任何文艺的创作都来源于生活而高于生活的,是对生活经验的总结与提升。乡村题材的电视电影作为文艺创作的一种形式,其中所涉及的人物形象也必定带有现实生活中的影子。所以在开篇之际,就要点明乡村社会在中国社会的地位和作用,以及乡村社会的阶级分层,为下文人物形象的分析做好社会背景的铺垫。同时,具有现实主义色彩的电视电影,它的创意和话题无论是新闻性,时代性还是纪实性,都比较敏捷地抓住了人们最为关心的话题。这种创作作风,显示了投资不过百万的电视电影独立的品格。文章的二、三、四部分具体分析了三种类型的乡村印象并诠释了其相对应的人物形象。是本文解决的主要问题,也是文章的主体所在。在此过程中,文章主要运用了符号学和叙事学以及形象建构方面的理论具体分析了乡村题材电视电影中每类农民形象所运用的叙事策略以及建构视觉形象的方法。并在论证的过程中引用十年间乡村题材电视电影获奖佳作予以配合分析,丰富了文章的理论举证,更方便了今后类似艺术作品创作的借鉴。最后,本文提出了一个未尽的思考：未来乡村题材电视电影中的人物形象又会呈现出哪些新的镜像呢?笔者认为随着乡村社会的变迁特别是乡村社会结构日新月异的变化,势必会给影视创作带来新的创作源泉和灵感,而作为记录一个地域母体的电影文化也将会出现新的变化。更多还原

【Abstract】 "The Brother Niu’s Story: Goodbye, Winter!" was play on January1,1999, which gave birth to the TV movie produced by the Movie Channel.The TV Film has been developed more than ten years and from the Lily Award and Golden Rooster Award ceremony, we can always deeply moved by rural theme TV movie. The rural theme TV movie of the decade shaped too many moving figures, whose life is deeply engraved changing times.Mr. Fei Xiaotong mentioned in the "Rural China" we may wish to focus on what is known as the Hicks countryman. A comprehensive view of decades of characters in the rural theme TV movie, for the spectator, is concerned about the most basic problems in the land of China. As a researcher, not only can get a glimpse of this new art style of the TV movie with the common, including the text characteristics, artistic features and, more importantly, can use the image build theory, narratology, semiotics and some other theories to analyze the art and aesthetic characteristics of the characters in the rural theme TV move. Moreover, mainstream media control the mainstream values, the TV movie, without exception, branded with the imprint of the state ideology, which makes the construction of rural characters with deep social significance.1999-2009TV movies through the first decade, it is also a TV movie, especially the rural theme TV movie rapid development of the decade. Its production is as much as a wide impact. On the sorting out of the TV movie, the author analyzes the significance of the existence of this particular theme values and the native complex and the audience’s receptive field. Decades the rural impression in the TV movie I will be divided into three types:rural people full of compassionate atmosphere, rural people filled with the barriers in the urban perspective and rural people enjoy a happy life in the new political discourse.The creation of any art is from life than life, summary and enhancement of life experience. The characters of rural theme TV movie, a form of literary and artistic creation, are bound with the shadow of the real life. So on the occasion of the opening, it is necessary to point out the status and role of the rural community in the Chinese society, and rural social class stratification, paving the way of social background for the analysis of the figures below. At the same time, with the film of realism, creativity and topic whether it is news, times, or documentary, is relatively quick to grasp the subject of great concern. This creative style of investment but millions of TV movies shows the independent character.In the second, third and fourth part of this paper gives a concrete analysis of the three types of rural impression and interpretation of the corresponding characters. This part is the main body which solves the main problems in this paper. In this process, the article mainly uses the theory of semiotics, narratology and the Image construction to analyze the narrative strategy of each farmer image and method of construction of the visual image. And award-winning masterpiece in the last ten years is cited which enrich the theoretical proof of the article and more convenient for future reference of the creation of similar works of art.Finally, think of an unfinished:what the character image will be showing in the future rural themes TV movie? I believe that with the rapid changes in rural social structure, is bound to give the film and television creative to bring a new source of creativity and inspiration and there will be new changes in the film culture.更多还原