【作者】 胡钉；

【导师】 李启军；

【作者基本信息】 广西民族大学 ， 文艺学， 2012， 硕士

【摘要】 随着全球化在影视文化领域的渗透和国家文化软实力的提出，作为民族文化的一种形式，少数民族纪录片备受关注。近年来，少数民族纪录片在制作和公映上不断增长，同时少数民族纪录片的研究理论得到不断深化，为我们进行继续研究提供了坚实基础。本文采用统计分析、文献分析、个案分析、对比分析等方法，结合社会历史批评、影视学、传播学、文化研究、审美研究等学科知识和相关理论，具体运用十字结构综合分析法，将少数民族纪录片放在国家文化发展战略的高度，放在中国影视发展和世界影视发展的历史背景与话语环境中，结合当前文化发展的实际和需要，对少数民族题材纪录片的发展演变、记录内容、文化意义、审美追求和生存策略做具体阐释和探讨。全文分为五个部分，包括绪论、结论和本论。本论分为三章：第一章系统地探讨了中国少数民族纪录片的发展历程、生存语境、演变模式。对中国少数民族纪录片的发展历史做全新的概括和分类，指出中国少数民族纪录片的三个发展阶段呈现出政治模式、艺术模式和文化模式这三种模式特征。第二章采用影视学、文化研究和审美研究等视域融合的方法，从影视艺术、文化表征、审美话语的角度对中国少数民族纪录片做复调阐释。第三章探究中国少数民族纪录片的生存策略。分析中国少数民族纪录片的生存探索过程和当前发展困境，根据当前国内外纪录片的发展现状和趋势，为中国少数民族纪录片的产业化运作提出相关对策。中国少数民族纪录片是对少数民族地区和人民的记录，还在一定程度上反映了中国整个社会的发展趋势和观念的变迁。中国少数民族纪录片正以其强大的发展潜力和深广的包容性建构中国影视和文化新形象，必然会成为推动中国文化和社会发展的重要力量。更多还原

【Abstract】 With the penetration of globalization in the field of film and television cultureand propound of soft power of national culture, as a form of ethnic minorityconcern, Chinese minority documentary has won more and more attention. Inrecent years, minority documentary has continuous growing in the production andrelease. At the same time, minority documentary theory has been continuallydeepening, which provide a solid foundation for our continuing research. Thispaper uses the statistical analysis, literature analysis, case analysis, comparativeanalysis and other methods, combined with social history criticism, film andTelevision studies, communication studies, cultural studies, esthetic research andother disciplines of knowledge and theory, concrete application of the crossstructure of comprehensive analysis to analyze Chinese minority documentary.The research will put Chinese minority documentary on Chinese culturaldevelopment strategy， Chinese film and television development and worldtelevision development historical background and discourse environment,combined with the practice and needs of cultural development, to explain anddiscuss minority documentary’s development, recording content, culturalsignificance, aesthetic pursuit and survival strategies. The paper is divided intofive parts, including introduction, conclusion and Main discussion. Main part isdivided into three chapters: the first chapter systematically discusses the Chineseminority documentary film development course, the survival context, evolutionmodel. The paper gives new summary and classification to Chinese minoritydocumentary’s history. And the research points out that Chinese minoritydocumentary’s three stages of development have three models: political pattern,artistic and cultural models. The second chapter integrates the television science,cultural studies and esthetic research to give Chinese minority documentarypolyphonic interpretation from the perspective of the film and television art, cultural representation, aesthetic discourse. The third chapter explores Chineseminority documentary’s survival strategy. The paper analyzes Chinese minoritydocumentary’s exploring life in process of survival and the current developmentdilemma. According to the current development situation and tendency ofdomestic and foreign documentary, the paper puts forward the relatedcountermeasure to Chinese minority documentary’s industrialization. Chineseminority documentary is not only a record of production and life of ethnicminority people in the region, but also to some extent reflects the developmenttrend of Chinese society and the diversification of concept. Chinese minority withits strong development potential and broad inclusive brings a new image toChinese movies and culture. And it will become an important force of China’scultural and social development.更多还原