【作者】 何旭佳；

【导师】 杜斗城；

【作者基本信息】 兰州大学 ， 考古学及博物馆学， 2012， 硕士

【摘要】 水月观音作为观音三十三变相之一,妙创于唐代,历经各代发展,尤以西夏水月观音图像最为精美。文章以西夏时期水月观音为考察对象,重点分析了黑水城遗址出土的卷轴画及敦煌地区的壁画。通过对图像的内容、空间布局、设色、绘法、背景装饰、人物服饰等各方面对图片进行综合分析,提取信息确定各个图像的宗教意蕴及艺术风格,进一步总结归纳西夏水月观音的艺术风格。西夏水月观音图像受到了汉地艺术风格及以藏地为主的周边少数民族艺术风格的影响,在此基础上有所创新。西夏水月观音如此流行,除了水月观音形象符合母性审美观外,水月观音引领“往生净土”的神职作用以及西夏多位女性当权者的推动也是其流行的主要原因。西夏水月观音所展现的不仅是一种艺术审美需要,更主要的是通过艺术表现信仰。西夏时期的水月观音图像表现出独具特色的各民族艺术风格的糅合,具有创造性的多元复合民族文化。但我们同时也因看到,水月观音发展到西夏虽然画面精美华贵有余,但艺术内涵不足,这也许与佛教发展由盛转衰的大趋势相契。更多还原

【Abstract】 Water moon kuan-yin as one of the33kuan-yin disguised,created in Tang dynasty, after generations of development,the Tangut water moon kuan-yin is more beautiful.The Water moon kuan-yin of Tangut period as study object, focusing on analysis of the scroll painting which unearthed in the Blackwater city and murals of Dunhuang area. Comprehensive analysis by image of content, space layout, colour, painted method, background decoration, character costume and so on. To determine the various of the religious meaning and art style, further summary and induce the art style of Tangut water moon kuan-yin. Tangut water moon kuan-yin is affected by the art style of Han area、Tibetan and surrounding ethnic minority, on the basis of innovation. Tangut water moon kuan-yin is popular, except the image of water moon kuan-yin meet the aesthetic standards of maternity, water moon kuan-yin as holy role leads to the "pure land" and a number of Tangut empress dowager promote. Tangut water moon kuan-yin demonstrated not only an aesthetic needs,mainly through artistic expression of faith. The image of Tangut water moon kuan-yin showing a unique blend of folk art style, having innovative compound of the national culture. Although we also see that the image of Tangut water moon kuan-yin more exquisite luxury, lack of artistic connotation, That is Corresponding with The trend of development of Buddhism from prosperity to decline.更多还原