莫扎特音乐会咏叹调《再不信任她》的艺术探析

【作者】 杨金花；

【导师】 王丽娜；

【作者基本信息】 青岛大学 ， 音乐学， 2011， 硕士

【摘要】 莫扎特被人们称为“天才音乐家”、“神童”,在短暂的艺术生涯中,他为我们留下了大量作品。莫扎特音乐会咏叹调在众多作品中的比重仅次于他的歌剧。他一生共创作了五十多首音乐会咏叹调,有的是为自己的歌剧增加的返场曲目,有的是为其他歌剧作曲家的作品而增加的曲目,更有一些是专为歌唱家的音乐会而量身打造。本文选择《再不信任她》为主要研究对象,刘音乐会咏叹调的定义和分类进行了详细的论述,并结合音乐会咏叹调的特点和平时的演唱经验,对这首作品从艺术特征,曲式分析和演唱处理等方面进行分析、研究,让人们对莫扎特的这首音乐会咏叹调《再不信任她》有更深入、更全面的认识。更多还原

【Abstract】 Mozart was known as the "genius musician, ""child prodigy ". In his short art career, he left us a lot of works. Among many works of Mozart concert arias in the proportion are second only to his opera. He wrote more than 50 concert aria in the whole life and some were created for encore, some were composed for other musician’s works, and some is reserved for the concert.This paper selects the "Non piu.tutto ascoltai.....Non temer,amato bene" as the main subject, and give a detailed discussion about the definition and classification of aria. The paper will also have a analysis and study on art characteristics, musical form, and handling skill combining the characteristics of aria and singing skills to lead us have a deeper and full-scaled understanding about Mozart’s Non piu.tutto ascoltai.....Non temer,amato ben.更多还原