【作者】 于洁；

【导师】 关大我；

【作者基本信息】 东北师范大学 ， 广播电视艺术学， 2011， 硕士

【摘要】 长期以来,影视媒体一直被视作意识形态国家机器的执行者,纪录影像更是少有个人声音的表达。社会转型这一时代背景和技术的革新为个体影像提供了广泛的生存和发展空间,每个人的内心都有需要表达和倾诉的困顿和欲望,私纪录片也在这种情况下应运而生。当无奈于复杂的社会环境,理想和使命走向虚无,道德和热情被市场的冷酷决然抛弃,以“介入”的姿态完成一段独具价值魅力的自我解剖式的影像纪录,已成为一批先锋艺术家们的精神转向。面对镜头他们大胆表达:情感、欲望、理想一切私密的角落被自己手中的摄影机无一保留的记录着。当人们拿起摄影机的目的不再为了成为影视制作人,而是充分的表达、抒发自己对身边事物的关注和理解时,真实世界的边界必将随之打开。更多还原

【Abstract】 For a long time, the visual media has been regarded as the executor of the national government. Particularly, there is barely any individuals’voice in documentary. However, the social transformation and technology innovation provide the individual image a large space of living and developing, which is a chance for everyone to express their inner needs of frustrations and desires. Personal-documentary comes into being. A group of avant-garde artists turn their focus on completing a charming documentary for self anatomy by an attitude of intervention when they fell helpless in the complex social environment, vacuous for their ideal and mission, or moral and enthusiasm abandoned by the cruel market. They express themselves heartily in front of the camera: emotion, desire, ideal and everything private. When they shoot not for being a film producer, but to express their concern and understanding of things around them, a real world is in front of everyone.更多还原