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《新月》、《诗刊》诗歌写作群及现代特征研究

A Research on the Poetic Composing Group of the Crescent Monthly, the Poetry Quarterly and Its Modernism Characters

【作者】 郑玉芳

【导师】 陈卫;

【作者基本信息】 福建师范大学 , 中国现当代文学, 2011, 硕士

【摘要】 现有“新月诗派”的研究成果多将其置于“流派”范畴中展开,尤为关注“新月诗派”的“新格律诗”主张,特别是“三美”理论,而忽视了这一写作群体在《诗镌》时期、《新月》、《诗刊》时期的诗歌理论发展及创作的现代性特征。事实上,这一群体从未称“派”。继《诗镌》停刊后,他们凭借自己创办的《新月》、《诗刊》两份刊物,集结了一群除“新月”成员之外的现代诗歌写作者,在文学修养、艺术旨趣、诗歌主张及创作上都呈现了较为明显的群体特征。为尊重史实,本文提出用“《新月》、《诗刊》诗歌写作群”之名以区别于文学史上惯用的“新月诗派”。这一诗歌写作群在改造传统并借鉴西方诗歌的过程中开始了对中国新诗现代性的自觉追求。现代特征不仅表现为“诗意上的现代”,即弱化诗歌的功利性,强调“理性节制情感”,注入现代观念,改铸传统诗歌意象;还表现为“诗艺上的现代”,即提倡作新格律诗、尝试方言或口语入诗、探索“小说化、戏剧化”的诗歌写作。此外,他们的诗歌还表现出群体性的现代主义倾向,尤其是坚持“纯诗化”的写作立场、展开知性写作、拓宽现代都市题材等方面的努力早于文学史认定的“现代派”,且和“现代派”之间存有不少的相似之处。因此,这一写作群的艺术价值有待重估。

【Abstract】 Nowadays, Most of the study on "the New Moon Poetry School" has been limited in the establish category, with special attention attached to the proposition of "New Metrical Poetry", "Three Principles of Beauty" in particular, while this poetic composing group’s theory developing during the periods of the Poem Weekly, the Crescent Monthly, and the Poetry Quarterly as well as the modernities of their works are unfortunately ignored. Actually, this group never declared itself to be a school,as it also included some other modern poets except this so-called "New Moon School" after the Poem Weekly,has ceased to appear, while obvious group characteristics in literary accomplishment, artistic purport, poetry proposition and composing are shown among these poets. To respect the history, this article comes up with an idea to use the name of "The Poetic Composing Group of the Crescent Monthly and the Poetry Quarterly",different from the name of "the New Moon School",which was consistently used in the history of literature.This poetic composing group has been engaged in the conscious pursuit of the modernities of Chinese Modern Verse when transforming tradition and drawing on Western Poetry. The modernities should not only be reflected in the poetic conception, which is to weaken utilitarian, highlight rationally expressing emotions, bring in modern concepts, and remold traditional poetic images, but also in the poetic art, which is to advocate composing "New Metrical Verse", try dialects or colloquial style, and explore a novelized and dramatic way of composing poems.Besides, this group’s works also show kind of collective modernistic orientation, especially in its steady standpoint on the "Pure Poetry", its engagement in composing intellectual poems, and the exploration of modern urban subjects, on which the efforts are previous to the modernists recognized by the literature history, providing qutie a few resemblances between the two. Therefore, the true artistic value of this poetic composing group is to be evaluated again.

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