【作者】 刘品品；

【导师】 蒋述卓；

【作者基本信息】 暨南大学 ， 美学， 2012， 硕士

【摘要】 现代社会的步伐的加快和扩展的复杂化，使人的生存状态变得越来越脆弱与不稳定，主体也处于不断地分裂、破碎、消散的状态。本文从媒介文化的背景出发，以“80后”集体怀旧为研究对象，尝试切入“媒介文化与审美记忆”这个理论思考。其目的在于更深入全面的认识和了解“80后”这个群体及其生存现状，同时探讨媒介文化对当代人记忆的塑造与影响，更深层讨论媒介文化下现代人的生存状态。立足于美学的角度该如何面对与解决这些问题?全文分四章进行论述：第一章分析“80后”集体怀旧文化现象以及形成原因；第二章主要通过对“80后”集体怀旧的形式和主题的分析发现媒介文化对“80后”成长的影响；第三章分析“80后”集体怀旧的特点和特质，并集中探讨“审美记忆媒介化”这个理论；第四章则是对“80后”集体怀旧的现实意义和文化功能进行阐释。更多还原

【Abstract】 By the acceleration of the pace of modern society, expanding and complicating, the livingcondition of people become increasingly fragile and unstable, subjects are in continuous splitting,crushing and dissipating. Based on the background of media culture, this paper makes somethinking about "the Media Culture and Aesthetic Memory" by studying "the Post-1980s"collective nostalgia. The aims is a more in-depth and comprehensive recognition andunderstanding of "the Post-1980s" and their survival status, at the same time discussing thebuilding and influence of the media culture to the contemporary memory, and make more indepth discussion of the survival of the state under the modern media culture. Based on theaesthetic point how to face and solve these problems?Paper is divided into four chapters to discuss: The first chapter analyzes "the Post-1980s"collective nostalgia cultural phenomenon and the causes; Chapter II finding the impact of mediaculture on the growth of "the Post-1980s" through analyzing "the Post-1980s"collective nostalgiaand themes; the third chapter analyzes the features and characteristics of "post80s" collectivenostalgia and focuses on this theory of "media memory"; Chapter IV is the interpretation on thepractical significance and cultural functions of "the Post-1980s" collective nostalgia.更多还原