【作者】 陈文福；

【导师】 孙葛；

【作者基本信息】 新疆师范大学 ， 美术学， 2011， 硕士

【摘要】 裕固族与维吾尔族均属隋唐时期强大的回纥汗国的后裔,于公元840年回纥汗国瓦解后迁徙至各自的聚居地而后形成了不同的民族。由于迥异的生活环境和周边不同文化的影响,使得迁徙后各分支的生产生活方式也发生了变化,这样,与其生产生活密切相关的民族风俗和精神文化也就逐步产生了差异。但相同的族源,虽经过一千多年历史的变迁与整合,仍有相通和相同的气息,表现在语言、音乐、风俗文化等方方面面。论文以比较的方式研究作为同源民族的裕固族与维吾尔族在服饰、居室等装饰艺术上的异同。试图通过两个民族体现在装饰艺术上的外在表现方式的差异与联系,探究其内在因素的深层文化内涵。全文分四个部分。第一部分为综述,对论文研究背景、研究目的和意义、比较研究的可行性、研究方法、中心内容和论文结构做了概括性的介绍。第二部分阐述裕固族和维吾尔族发展的历史、分布情况,以及它当下的社会生活、政治经济、宗教信仰和文化风俗等特点,追溯历史,分析现状,为深层文化内涵的探寻提供史料和现实依据。第三部分重点对裕固族和维吾尔族的服饰艺术进行研究,对裕固族与东疆、南疆、北疆维吾尔族服饰的装饰题材、手法、风格、色彩搭配、文化内涵等方面进行比较,分析它们在服饰上的联系与差异。第四部分对裕固族和维吾尔族居室的装饰艺术进行研究,从居室的造型结构、装饰技巧等方面进行比较,进而分析它们在居室装饰上的联系与差异。最后对裕固族与维吾尔族装饰艺术在社会变迁中的影响因素进行了宏观的推论。通过比对发现,两个同源民族在经历史变迁后,在服饰文化和居住文化的外在表现形式上产生了很大的不同。尤其在居室的装饰上,几乎无法相提并论。而在服饰的装饰艺术上既有联系又有差异,且其差异性大于联系性。所以,裕固族文化系由多元民族文化层级叠加而成,既蕴涵着丰富的古代突厥、回鹘的文化底蕴,又颇具古代蒙古的遗风,另外还深受邻近兄弟民族——主要是藏族和汉族的影响,未能实现整体融合。维吾尔族的文化保留了回鹘的文化遗存,融合了当地土著文化,又经历了突厥化和伊斯兰化的过程,其整合程度较裕固族彻底。更多还原

【Abstract】 The Yugur national minority and the Uygur national minority are the Sui and Tang dynasties time formidable return to he the khanate descendant, returned after a.D. 840 years he the khanate disintegrated moves to the respective inhabit region has then formed the different nationality. As a result of the different living conditions and the peripheral different culture’s influence, after causing the migration, various branches production life style has also had the change, like this, gradually has also had the difference with its production life close related national habit and the energetic culture. But same race source, although passes through more than 1000 years historical the vicissitudes and the conformity, still had is interlinked with the same breath, displays in aspects and so on language, music, custom culture.This article uses the technique which the literature search and investigates and studies on the spot unifies, compares the way research takes the homologous nationality the Yugur national minority and the Uygur national minority in decorative art and so on clothing, room similarities and differences. Attempts to manifest through two nationalities in the decorative art the external performance way difference and the relation, inquires into its intrinsic factor in-depth culture connotation.This article is divided four parts. The first part is the summary, to the paper research background, the research goal and the significance, the comparison research’s feasibility, the research technique, the central content and the paper structure has made the concise introduction. The second part elaborated the Yugur national minority and Uygur national minority develop the history, the distributed situation, as well as its immediately characteristics and so on social life, political economy, religious belief and cultural custom, the backward history, the analysis present situation, for in-depth culture connotation inquired about provides the historical data and the reality basis. The third part key conducts the research to the Yugur national minority and Uygur national minority’s clothing art, to the Yugur national minority with the east boundary, south aspects and so on boundary, northern border Uygur national minority clothing’s decoration theme, technique, style, color matching, cultural connotation carries on compares comprehensively, analyzes them on clothing’s relation and the difference. The fourth part conducts the research to the Yugur national minority and the Uygur national minority room’s decorative art, from aspects and so on room modelling structure, decoration skill carries on the comparison, then analyzes them in the room decoration relation and the difference. The conclusion part analyzes the Yugur national minority and the Uygur national minority decorative art in the social change influencing factor.Through compared to discovered that two homologous nationalities after passing through the historical vicissitude, has formally produced the very big difference in the clothing culture and the housing culture’s external performance. Especially in the room decoration, is unable to place on a par nearly. But both has the relation in clothing’s decorative art and to have the difference, and its difference is bigger than the relation.Therefore, the Yugur national minority culture is becomes by the multi-dimensional national culture level superimposition, both were containing the rich ancient times Tujue, Huihe’s cultural inside story, and had ancient times Mongolia’s customs handed down from the past, in addition is close to the brotherly nationality - - is mainly deeply the Tibetan national minority and Han Nationality’s influence, has not been able to realize the whole fusion. Uygur national minority’s culture retained Huihe’s culture to remain, fused the local indigenous culture, also experienced Tujue to melt and the Islam process, its conformity degree compared the Yugur national minority to be thorough.更多还原