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贝多芬晚期作品中赋格应用的研究

The Fugue Study of Beethoven’s Later

【作者】 郭玲玲

【导师】 张磊;

【作者基本信息】 哈尔滨师范大学 , 音乐学, 2011, 硕士

【摘要】 贝多芬是德国著名的作曲家,欧洲维也纳古典乐派的代表人物之一。他一生中创作了大量的音乐佳作。体现了贝多芬独特的音乐天赋和艺术魅力。特别是在他晚期的音乐作品中,更是创造了音乐的奇迹。作品呈现出规模宏大、技术精湛、气势磅礴等特点。尤其是在复调技法方面,最集中的体现是在赋格的应用上。我们知道,贝多芬的创作风格主要表现为主调音乐,但他的复调思维却依然存在。在主调的音乐作品中镶嵌复调音乐形式的织体,用复调音乐对主调音乐进行装饰,是贝多芬善用的技术手法之一。特别是“赋格”这一复调形式的写作在他晚期的音乐作品中更是较为普遍存在的现象。本篇论文共分为四个章节。第一章,绪论,介绍本论题的理论应用与实际意义、国内外的文献综述、相关领域研究的现状等等。第二章,介绍贝多芬及其晚期的音乐。主要从贝多芬的生平、音乐创作的三个重要时期和关于贝多芬复调音乐的创作来进行论述。第三章,详细论述贝多芬晚期作品中赋格的应用。主要体现在晚期的钢琴奏鸣曲、弦乐四重奏、交响乐以及庄严弥撒曲等作品中。第四章,对贝多芬晚期作品中赋格应用的主要特征进行深入的探讨。包括主题特征、复调技法、织体形式、曲式结构。本文将对贝多芬晚期作品中有关赋格这一形式写作的理论应用进行全面的分析,对其音乐表现手法及复调技术等方面进行综合的研究。归纳和总结其赋格的应用特点,探寻它对复调音乐学科的建设所提供的理论依据和实践方法,使更多的音乐学者都能了解这一高级复调的写作形式,并积极参与此项工作的研究当中。

【Abstract】 Beethoven is a famous German composer, one of the representatives Vienna Classical Music in Europe. In his life he created a lot of music works. It reflects his unique talent and artistic charm. Especially in his later music, he has created the music miracle. His work displayed big-sound, grand-scale features, which mainly reflected in the creation of his symphony. Especially in Fugue, the concentrated expression is the application of the Fugue. We all know that Beethoven’s writing style is mainly homophony, but polyphonic minds still exists. In music works enchase fabric of polyphonic forms, it is universal phenomenon that homophony decorates to polyphony. It is one of the technical approaches Beethoven usually uses. Especially the "Fugue" ---polyphonic form, is the common phenomenon in his later work.This paper is divided into four chapters. The first chapter, introduction introduces the topic of the theory and practical significance, the domestic and foreign literature review, related field study situation and so on. The second chapter introduces Beethoven and his late works. It is mainly from Beethoven’s life, music creation in three important periods and the creation of Beethoven polyphonic music to discuss. The third chapter details fugue in his late works, which mainly reflects in late piano sonatas, string quartets, symphony and solemn works. The fourth chapter deeply discusses the main characteristics of fugue application in his late works. It includes characteristic, polyphonic techniques, texture form and melody structure.This article will fully analyze on Fugue theory’s application, the performance of musical practices and polyphonic technologies in his later work. To conclude and summarize Fugue’characteristics, to explore its construction to the theoretical and practical methods in polyphony subjects. To make more music scholars can understand the form of polyphony, and actively participate in this study.

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