【作者】 吴丹；

【导师】 肖向东；

【作者基本信息】 江南大学 ， 比较文学与世界文学， 2011， 硕士

【摘要】 赛珍珠是一个具有双重文化身份的美国作家,尽管其在中国文化环境中曾度过童年、少年、青年乃至中年等重要阶段,并深受中国文化的熏陶,然而她毕竟是一个具有美国文化血统的外国人,在接受外在的中国文化的同时又始终保持着与来自美国的西方母体文化的联系。故尽管她在情感与现实层面对中国怀有特殊感情,但其笔下的中国终究是个“他者”,这在其凭借对中国农村题材及其面貌的史诗般描绘而获得“诺贝尔文学奖”的小说代表作《大地三部曲》中显得尤为突出,她所描绘的“中国形象”更是值得深思与回味。《大地三部曲》正是以其特异的写作视阈,使得它得以进入形象学的视野来分析“自我”与“他者”文化之关系,成为展现中西文化碰撞与交融的范例。然而,近年来对赛珍珠中国形象的研究,大多没有明确区分出不同文化身份下占主导性的中国形象是什么。故本论在文本分析的基础上,主要采用文本研究、跨文化研究、形象学研究、平行研究方法,运用形象学、精神分析、童年记忆、文化混杂理论,从赛珍珠的西方视阈、东方视阈、中西视阈三种视向研究其中的中国形象,具体梳理出作品中因不同文化视阈而显现的主导性的中国形象是什么,即:西方视阈下潜在意识形态的“他者”,东方视阈下显在本真的“他者”,中西视阈融合下普世超越的“他者”。本论正是以此典型个案为例,旨在通过对赛珍珠中西文化视阈下“他者”形象的研究,进一步巩固中西文化的沟通之桥,以促进具有普世价值的“世界文学”时代的到来。更多还原

【Abstract】 Pearl Buck is an American writer of a dual cultural identity, though she had spent her important stage such as childhood, young period, youth and middle-aged in the Chinese cultural environment and was deeply edified by Chinese culture, after all, she is a foreigner with American cultural lineages, who accepted the lineage of external Chinese culture and at the same time kept in touch with the western maternal culture from America. So although she has special feelings to China in the emotional and realistic level, his descriptions of China is, after all, an "otherness". It fared particularly outstanding in her fiction masterpiece Trilogy of The Good Earth, which won The Nobel Prize for literature by epic depicting to the Chinese rural subjects and its appearance. And especially " Chinese image " she painted is worth pondering and aftertaste.Trilogy of The Good Earth just by its specific writing observes, makes it to enter the imagologie view to analyze the relationship between "self" and "others" culture, become the examples of showing collision and communion between the Chinese and western culture.However, in recent years the research of Chinese image to buck generally hasn’t cleared out what is dominant Chinese image under different cultural. So based on the analysis of the text, mainly using such methods as the text research, cross-cultural research, the imagologie study, parallel study, this paper aims to specifically comb what the dominant Chinese image is in different cultural perspective in the works, which contains potential ideology of "otherness" in the western perspective, obvious and natural "otherness" in the oriental perspective , universal and beyond "otherness" in the Chinese and western perspective. As a typical case utilized for example, this paper aims to further consolidate the communication between Chinese and western culture of the bridge and promote a universal value of "world literature" coming of age, through the research of Pearl Buck’s "otherness" ’s image in the Chinese and western perspective.更多还原