【作者】 段杨春子；

【导师】 杨又青；

【作者基本信息】 中国音乐学院 ， 音乐学， 2011， 硕士

【摘要】 德彪西三乐章交响素描《大海》完成于1905年,是德彪两创作的具有代表性意义的作品。无论从美学、技法以及对后世作曲家的影响方面,这部作品都具有很强的标志性意义。本文主要从美学、创作技法、指挥法等几个方面对这首作品进行研究。文章主要分为三个部分：第一部分：绪论,主要是对德彪西生平及创作整体状况进行回顾。对《大海》在德彪西创作生涯中的作用进行定位。并通过文献研究理清德彪西美学思想的形成、舆论评价及他个人的自我评价,揭示《大海》的美学内涵。第二部分：主要是对《大海》的创作方法从不同的角度进行分析。首先对作品整体结构进行分析。由于这部作品的主题陈述方法与音高组织结构比较独特,因此结构的划分主要以音乐材料的陈述、发展过程为主要依据。兼顾对调性布局及音高因素进行简单的分析。其次从配器法角度对作品的印象主义风格进行分析。观察德彪西的配器方式以从技法的角度推论印象主义风格形成的机制。第三部分：是从指挥法角度探讨在表演中如何解读《大海》的音乐性,展现《大海》的美学特点和音乐风格特点。本章对重要段落的指挥技术要点进行了阐述。结论部分是对《大海》的美学及创作特征的总结与概括。更多还原

【Abstract】 Claude Debussy composed many impressionistic works, and one of the most important among them is the three symphonic sketches for orchestra La Mer, composed in 1905. This repertoire has a strong symbolic significance on aesthetics, compositional technique and the influence on later composers. The author approached from the aspects of aesthetics, compositional technique and conducting technique to do research on this dissertation. Hence, this dissertation is mainly divided into three sections.The first section contains a brief introduction and review on Debussy’s life as a composer, and the role of La Mer throughout his career. Moreover, it focuses on how the development of Debussy’s egoistic mindset could influence the essence of the repertoire La Mer.In the second section, the author will approach the compositional technique La Mer from different aspects. Firstly is the analysis of the form and structure of this repertoire. The repertoire used unique ways to unfold the different themes and structures of pitch; therefore the analysis of the form and structure is mainly based on the process and usage of the music material. In addition, a basic analysis of the tonal structure and pitch range will be included;also using an approach from the aspect of orchestration to analyze on Debussy’s impressionistic style of La Mer.As for the third section, the author will approach from the view point as a conductor and discuss about the various ways of conducting the aesthetic and stylistic characteristics of La Mer.Lastly is the conclusion of the aesthetic value and unique characteristic of the repertoire, La Mer.更多还原