【作者】 李双松；

【导师】 李双江； 李诗原；

【作者基本信息】 南京艺术学院 ， 音乐学， 2011， 硕士

【摘要】 贝多芬作为欧洲音乐史上一位集古典主义之大成、开浪漫主义之先河的艺术巨匠,不仅是一位著名的器乐作曲家,而且还创作了大量的声乐作品。其艺术歌曲亦是浪漫主义时期德语艺术歌曲(lied,“利德”)的重要奠基。他为歌德的三首诗谱写的《三首歌曲》(OP.83)正是其艺术歌曲(lied)中的成功之作。《三首歌曲》词曲完美结合,体现出了歌德诗歌独特的抒情性和韵律感;在旋律、钢琴伴奏等方面也不同凡响;在音乐风格上继承了古典主义传统,又显现出“走向浪漫主义”的探索。《三首歌曲》是一部以同一诗人、同一题材的诗歌为歌词的声乐作品,三首歌曲之间在旋律、调性、曲式结构等方面也呈现出一定联系,故可视为后来“声乐套曲”的铺垫。更多还原

【Abstract】 Beethoven, a great artist and master who has inherited Classicism and initiated Romanticism, is known as a vocal music composer, as well as an instrumental composer. His artistic songs are important for the foundation of lied in Romantic Period.“Three Songs”(OP. 83), composed by him for Goethe’s three poems, are perfect examples of Beethoven’s lied. Lyrics of“Three Songs”are nicely coherent to show the unique feelings and rhythm in Goethe’s poems. More over, the melody and piano accompaniment in“Three Songs”are also original and outstanding, and the musical style inherited traditions of Classicism while explores the“trend toward Romanticism”. In general,“Three Songs”uses the same poet’s same-subject poems as their lyrics, and the three songs are connected to one another in melody, tonality and musical composition. As a result,“Three Songs”could be regarded as the bedding for the following“vocal divertimento”.更多还原