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楚雄彝族梅葛音乐文化研究

【作者】 张黎

【导师】 黄泽;

【作者基本信息】 云南大学 , 中国少数民族艺术, 2010, 硕士

【摘要】 本文探讨的是楚雄彝族梅葛音乐及其相关文化的问题。随着2008年梅葛被国务院批准为国家级非物质文化遗产,它的艺术魅力越来越受到人们的关注,应该让更多的人认识什么是梅葛,了解梅葛音乐有何特色,唤起更多民众特别是当地人对梅葛音乐的保护意识。目前,由于还尚未发现有关梅葛音乐文化的专门研究成果,仅有少量的梅葛歌谱出版于楚雄州民间音乐系列丛书中,人们想要进一步了解梅葛音乐只有参考一些文学、民俗专著的介绍。笔者力求以音乐为线索来理解和诠释梅葛古老而丰富的文化,在研究过程中通过搜集相关曲谱资料、查阅相关民俗和历史文化资料、田野调查、访谈、音乐采风等手段入手,对梅葛进行民族音乐学方面的综合研究。文中笔者对梅葛音乐的传统分类做了一点补充,第一次从音乐学的角度把毕摩调也纳入梅葛音乐的范畴,通过谱例分析对梅葛音乐的特点做了总结和归纳。在对音乐本体研究的同时,笔者还对梅葛音乐文化变迁进行了一些剖析,力求展现梅葛的音乐性特征和在音乐文化方面的价值。通过探究笔者认为:毕摩唱的毕摩调也属于梅葛的一种,毕摩梅葛与老人梅葛都属于古歌体裁,也是一种少数民族曲艺。梅葛的音乐文化变迁与体裁、题材、音乐意义、演唱禁忌等有着一定的内在联系,梅葛的保护应体现出其活文化价值和整体保护。

【Abstract】 This article discusses Chuxiong Meige music and associated cultural issues. As approved by the State Council in 2008 Meige as state-level intangible cultural heritage, its artistic charm has caused increasing interests. Therefore, there is a need to let more people know what is Meige, what are Meige’s characteristics, and to draw more people, especially the local people’s awareness of the protection of the Meige At present, the specialized research about the culture of Meige music has not been found yet, and only a small amount of Meige sheet music of have been published in Chuxiong folk songs Series. People who want to learn more about Meige music can only refer to introductions of some literature and folklore monographs. The author strived to take music as a clue to understand and interpret of the ancient and resourceful Meige culture by gathering relevant information of music scores, studying the associated folklore, history and culture, field surveys, interviews, collecting folk songs and other means to study comprehensively on Meige in terms of Ethnomusicology. In article the author made some points for the traditional classification of Meige by classifying Bimo tune into the category of Meige music from the perspective of musicology for the first time, summarized and classified on Meige music features by analyzing examples of music scores. In the meantime of studying the music ontology, the author also analyzed Meige’s cultural change and sought to show Meige’s characteristics and cultural value. By exploring, the author believes that a Bimo tune sung by Bimo also belongs to Meige, Bi Mo Meige and the elderly Meiga are all old songs Meige genre, and also a kind of minority folk art Meige’s cultural changes had a certain relation to genre, theme, music meaning, concerts taboos. The protection for Meige should reflect the live cultural values and overall protection.

  • 【网络出版投稿人】 云南大学
  • 【网络出版年期】2012年 03期
  • 【分类号】J607
  • 【被引频次】1
  • 【下载频次】178
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