【作者】 赵静；

【导师】 倪文尖；

【作者基本信息】 华东师范大学 ， 中国现当代文学， 2010， 硕士

【摘要】 20世纪90年代以来,“上海怀旧热”涉及文化、经济、艺术等各个领域,成为上海社会文化图景中的重要一幕,至今余波未平。在文学领域,程乃珊与陈丹燕二人共同书写“旧上海”,将老上海已消逝的人与物,时空与场景,以文字的形式复活再现于纸端,有着一定的契合之处。二人虽然属于同一时代的新海派女作家,但由于各自的家庭背景和生活经历不同,她们对于“上海怀旧”的书写和表现形式存在着较大差异。本文试图运用比较研究的方法从“上海怀旧”的角度入手,在前人研究基础上,对程乃珊和陈丹燕的“上海怀旧”书写进行比较分析,对二人怀旧创作中所呈现的“上海梦”的契合与差异作尽可能详细的梳理与论述,在此基础上挖掘二人作品中的内在意蕴和文化内涵以及局限性,从而指出她们的怀旧书写对于海派文化发展的价值。本文正文部分分为四章。第一章绪论阐述选题背景、研究意义和论文的创新点,介绍研究方法,并分析程乃珊、陈丹燕以及“上海怀旧”的研究现状。第二章论述程乃珊与陈丹燕“上海怀旧”书写的契合之处。首先介绍“上海怀旧”和“上海怀旧”书写的相关内容,然后从两位作家“怀旧书写”的共同内容——怀旧空间环境、遗留物象、都会丽人、精致生活情趣和“怀旧书写”的共同表现形式——文字与影像的交融这两个方面进行分析。第三章根据第二章所阐述的两位作家“上海怀旧”书写的“契合”之处,将她们的创作进行横向、静态比较分析,从怀旧空间、优雅女性的描摹、世俗人生的刻画和图文交融的呈现特征四个方面分析她们“怀旧书写”的“差异”,并探究其差异存在的原因：与作家各自的家庭背景、生活成长经历的迥异密不可分。第四章对两位作家不同时期不同空间下的创作进行分析,根据她们创作时间和空间的变换轨迹进行纵向、动态比较,对她们创作中“上海梦”的动态呈现加以分析,从而全方位把握程、陈二人的“上海怀旧”书写。结语部分对程乃珊和陈丹燕“上海怀旧”书写的契合与差异、二人怀旧创作的意义和局限性进行总结,既肯定两位作家的“上海怀旧”书写是对老上海文化内涵的再挖掘,也指出她们的创作没有挣脱出上海历史文化重构单一性和片面性的束缚,进而呼唤海派作家对社会应该有整体、深刻的认识,对社会面临的重大问题进行更深层思考。更多还原

【Abstract】 Since the 1990s, "Shanghai nostalgic warm" cultural, economic and art fields, become the important cultural landscape of Shanghai social scene, still not wake. In the field of literature, ChengNaiShan and ChenDanYan with two old Shanghai jointly written ", "the old man and the Shanghai has vanished, time and space and form of writing, with representation in the paper, the resurrection of the correspondence. Though they belong to the same time new Shanghai writer, but due to their family background and experience, their "Shanghai nostalgic" for the writing and forms are quite different.This paper tries to use the method of comparison research from the perspective of "Shanghai nostalgic", the predecessor’s research, on the basis of "Shanghai ChengNaiShan and ChenDanYan nostalgic writing" comparative analysis, the creation of nostalgic dream "fit" Shanghai with differences and discusses in detail as possible, on the basis of two mining the connotation and the cultural connotation and limitations and point out their nostalgic writing for the development of local culture.This text is divided into four parts.The first chapter of this topic research background, the introduction of meaning and innovation, introduction and analysis method of study, ChengNaiShan, ChenDanYan and Shanghai "reminiscence" status of research.The second chapter discusses ChengNaiShan and ChenDanYan "Shanghai nostalgic writing" fit. Firstly introduces "Shanghai nostalgic" and "Shanghai nostalgic writing" related content, then from the two writers "writing" mutual nostalgic nostalgic space environment--and object, will still, delicate life interest and "writing" mutual nostalgic form-text and images of blending the two aspects are analyzed.The third chapter according to the second chapter of the two writers "fit" place, will be the writer’s creation, static and transverse comparison and analysis, from space, elegant woman nostalgic and secular life narrative texts of communion and four characteristics of their "Shanghai nostalgic writing" "difference", and explores the causes of the differences, and their family background, writer, different life experience. The fourth chapter two writers themselves through different time space analysis of creation, from their creation of time and space transformation path to compare the longitudinal, dynamic and creative in their dreams", "Shanghai dynamics analysis, thus all-round mastery, ChenErRen" Shanghai nostalgic writing ".The ChengNaiShan and ChenDanYan "Shanghai to fit the writing" nostalgic and difference, the significance and the limitation of nostalgic creation, both must two writers "Shanghai" is written on the old reminiscent of Shanghai culture connotation, also pointed out that the mining of their creation without break out of Shanghai historical cultural reconstruction oneness and one-sided, which calls for Shanghai writers should have the whole society, and deep understanding of the major problems facing society more deep thinking.更多还原