【摘要】 古丁在20世纪30年代创作很活跃,但进入40年代后,几乎没有创作小说和诗。到了后期《艺文志》刊行时期,古丁再次执笔,先后创作了《新生》《西南杂感》《下乡》《山海外经》等作品。这些作品迎合国策,时而赞美"民族协和",时而为了"圣战"彻底获胜,鼓励粮食增产出荷,因此被视作"附逆"作品。然而,王秋萤曾评价古丁的言行为"绵里藏针,与敌人斗智"。基于此评价,以古丁在伪满洲国末期创作的四篇作品为考察对象,试探讨隐藏在"绵"里的"针",以证明无法用"附逆"定论古丁作品的一面。更多还原

【Abstract】 In the 1930 s,Gu Ding achieved a lot by writing many works. But when it came to 1940 s,he hardlycreated any novels and poetry until the publication of the late Yi Wen Zhi journal. Then he successively wrote XinSheng,Xi Nan Za Gan,Xia Xiang,Shan Hai Wai Jing and so on. These works catered to the national policy by eithercommending "Ethnic harmony"or encouraging increased output of food for the victory of "Holy War". Thus,they arecommonly regarded as "Propagandist Works". Whereas,Wang Qiuying commented Gu Ding’s writing as "Hiding aneedle in silk floss and fighting wit with the enemy". Based on this comment,this paper will review four of Gu Ding’spropagandist works in order to reveal the critical side of Gu Ding’s works,which could not be labeled by"Propagandist".更多还原