【摘要】 《坛经》是一部证迷、勘迷和破迷的经典之作。它以精深透彻的佛法义理再现了惠能的修行事迹和智慧言行,这是研究禅宗思想的重要依据。从词义角度来看,"迷"有"迷踪失路"和"误入迷途"的批评观念,继承了先秦以来的汉字思维与古典特征;从哲学角度来看,"迷"有"当局者迷"和"闻道犹迷"的棒喝内涵,结合了儒道文化的义理思考与纠偏意识;从文论角度来看,"迷"有"现世虚幻"和"人生梦觉"的警醒意蕴,塑造了经典作品的情节因果与叙事主题。本文对《坛经》之"迷"作观念史考察,可彰显出中国文化关键词的古典生成与现代激活,时空定位与语用呈现。更多还原

【Abstract】 TanJing is a classic work in prove, diagnose and it gets rid of "lose". With the profound Buddhist principles, the TanJing reproduces HuiNeng’s practice and wisdom, which is an important basis for studying Zen Buddhism. From the perspective of word meaning, the "lose" has the critical concepts of "lost road" and "wrong path", and inherits the thinking and classical features of Chinese characters since the pre-Qing Dynasty. From the perspective of philosophy, the"lose"has the awakening connotation of "those closely involved cannot see clearly" and "the truth is still puzzled", combining the rational thinking and rectifying consciousness of Confucianism and Taoism culture. From the point of literary theory, the "lose" has the vigilance implication of "the illusion of present world" and "life is but a dream", which shapes the plot causation and narrative theme of classical works. This paper investigates the "lose" in the TanJing from the perspective of conceptual history, which reveals the classical generation and modern activation of Chinese cultural keywords, the spatial and temporal orientation and pragmatic presentation.更多还原