中国风水与环境艺术

【作者】 刘晨晨；

【导师】 杨晓阳；

【作者基本信息】 西安美术学院 ， 美术学， 2010， 博士

【摘要】 中国风水是中国建筑环境选址、规划、设计、营造中的基本依据、规范和指导思想。其作用范围与营建目标与环境艺术具有同源性与相似性。从“艺术”角度研究风水,正是要通过研究古代先人择居方式所产生的效果,发掘其择居方法的艺术性价值,来确立现代环境艺术的发展定位。使环境艺术建构具备传承性、现实性和可持续发展性。从而试图建立具备中国气质的环境艺术范式,并对环境艺术设计有所指导。文章设置绪论、结论及三块主章节。第一块、风水探源。环境艺术的基础就是对环境本体的认知,对于古代、今天、未来都是一致的。而环境本体包括自然背景、社会背景以及文化意识背景。三者之间相辅相成,不仅是环境艺术的平台,同时也是环境艺术所体现的内容物。第二块、风水与环境艺术营建。风水并不止于古代。但古代的环境设计能够更为纯粹的反映出风水生成流变、发展规律以及内核设计思想的的作用机制。提出风水设计思路的共生性。也就是环境与人共生,聚落与自然共生,建筑群落与城市空间共生,建筑与院落共生,装饰图纹与图底共生、是一个实与虚、阴与阳的共生体系。并以此为基础进行城市营建体系,建筑环境营建体系和装饰系统的研究。第三块、环境艺术建构。按照风水的认知模式和核心设计思路进行环境艺术的建构。提出环境艺术建构思路、明确环境艺术概念与内涵、解读环境艺术设计依据、剖析环境艺术设计思路。从而确立具有中国特色的现代环境艺术范式和美术学发展定位。结论部分,明确研究中心观点。总结了从风水到环境艺术的必然规律,并提出环境艺术的作用机制、美术学特征与发展目标。更多还原

【Abstract】 Chinese geomancy Fengshui was the fundamental basis, norm and guiding ideology for site selection of environment, planning, design and building of a residence. Its effect scope showed a homology and similarity with the building goal and environment design. The purpose of studying geomancy Fengshui from the perspective of "art" was to explore the artistic value of selection of residences through the study of geomancy Fengshui’s effect on ancient ancestors’way of living so as to define the development orientation of modern environment design, reflecting the consistence, reality and sustainability in construct of environmental art. In this way, the paper attempts to establish an environment designparadigm with Chinese characteristics, which can guide the design of environmental art.The paper consists of an introduction, three main sections and a conclusion. The first part of the body section deals with origin of geomancy Fengshui. Environment design is based on the cognition of the noumenon of environment, which is consistent in ancient times, today or even the future. The noumenon is composed of natural background, social background and the background of cultural awareness, which complement each other. They are not only a platform for environment art but also the contents reflected by environment design.The second part is geomancy Fengshui and construction of environment art. Chinese geomancy Fengshui is not confined to ancient times. However, it is the environmental design in the ancient times that could exactly reflect its mechanism of action through study of its origin and changes, law of development and core design ideas. The symbiosis of design idea of geomancy Fengshuis, namely, the symbiosis of environment and human, villages and nature, building communities and urban space, buildings and courtyard and decorated patterns and the bottom symbolizes the symbiotic system of yin and yang and reality and imagination. The urban construction system, construction system of building environment and decorative systems are all based on it.The third concerns the construct of environment design. It conducts the construct of environmental in accordance with the cognitive model and core design ideas of Chinese geomancy Fengshui. It proposes the approach of construct of environment design, clarifies its concept and connotation, interprets its design basis and analyzes its design ideas so as to establish the paradigm the modern environment designt and aesthetic development orientation with Chinese characteristics.In conclusion, the paper makes clear its final viewpoint. It summarizes the inexorable law geomancy Fengshui changing into environment art and brings forward the mechanism of action, aesthetic characteristics and development goals of environment design.更多还原