中国当代中小型合唱创作研究

【作者】 乔邦利；

【导师】 居其宏；

【作者基本信息】 南京艺术学院 ， 音乐学， 2010， 博士

【摘要】 作为多声音乐中国化的一部分,当代中小型合唱创作不但作品数量众多,而且在创作观念、手法、题材、风格和民族音乐元素运用等方面也有较多变化,其中既有成功经验又有深刻教训,在当代专业和群众音乐文化生活中发挥重要作用,群众合唱、民歌合唱、少儿合唱、艺术合唱和流行合唱是其中的主要类型。“前十七年”音乐发展中对歌曲的重视促进了中小型合唱创作的较快发展,同时,音乐观念上的理解偏差也带来较大阻力;“文革”时期,在音乐极权话语的控制下,中小型合唱创作的整体水平严重下降;新时期以后,在观念更新的推动下,中小型合唱创作逐渐回归审美本位,作品类型不断丰富,音乐语言风格也呈现出多元化的发展态势,但其影响力却反而逐渐降低。更多还原

【Abstract】 Contemporary writing about small and medium chorus is part of the sinicization of Multi-voice music.It is not only have large number but also have more varied of creative idea, techniques, subject matter style and use of national music elements,and there are many successful experience and profound lessons in it.It plays an important role in professional and mass music of Contemporary Chinese.Mass chorus,national music chorus,art chorus,children’s chorus and popular chorus are the five main sorts in contemporary small and medium chorus.In“New China:1949-1966”, emphasis of the song’s in contemporary music promoted the rapid development of small and medium chorus writing, while the understanding of musical concepts deviation has also brought a lot of resistance.In“Cultural Revolution”period, with the control of the totalitarian in music, creativity in small and medium chorus was in the low level.In new period, with the update in idea, the composing of small and medium chorus return to the aesthetic gradually, styles of the composition enriched constantly, music style was also become pluralistic, but the influence is actually lower than other times.更多还原