节点文献
陕南民间音乐区域文化特质考察
【作者】 王晓平；
【导师】 伍国栋；
【作者基本信息】 南京艺术学院 ， 音乐学， 2010， 博士
【摘要】 民间音乐边缘生存现象在我国非常普遍,本文以汉族地区极富特色的陕南地区民间音乐为研究个案,以民族音乐学理论与方法为基础,借鉴相关学科研究成果,集中讨论了该地区民间音乐与文化区域、文化生态之间的互动关系以及区域文化形成。陕南民间音乐是该地特有的生活方式,是当地人民生活的真实再现。陕南民间音乐文化生成,既是自然环境影响的结果,也是历史传统作用的结果,更是地区间人类文化相互交流的历史必然。区域音乐是中国音乐重要的组成部分。在现阶段,各种试图从新角度解释中国传统音乐的努力,都不应该过分追求宏大叙事风格的、表面上的系统化,而是要尽量通过区域的、个案的、具体的音乐事象研究表达出对中国音乐整体的理解和认识。
【Abstract】 The article, in view of the edge survival phenomenon of the folk music in our country, explains a synthetic study on the Shan Nan area (the southern part of Shaanxi province) which is characteristic in Han people folk music. It is based on the ethomusicological theory and method, and profits from the related disciplines. It mainly discusses the inter-relationship between folk music and cultural region,?cultural ecology and regional culture.Shan nan folk music culture is the unique life style in this place and it’s a real reappearance of the local people’s life. Shan nan folk music culture is not only the product of the natual environment influence, but also the result of the historic tradition function, and moreover the historical necessity of the mutual inter-zone human culture exchanges.Regional music culture is an important part of Chinese music. In present stage, any intention to give a new explaination for Chinese traditional music shouldn’t over pursue the surface systematization with great narrative style, but try to express the overall understanding and knowledge on Chinese music by researching on regional, case-study, and concrete music phenomena.