【作者】 程洁；

【导师】 田兆元；

【作者基本信息】 华东师范大学 ， 文艺学， 2010， 博士

【摘要】 在上海地区,竹枝词这种文学样式曾经十分壮观,不仅数量庞大,内容丰富,而且创作者众多。本文首次对上海竹枝词进行了整体研究。所谓整体研究,一是指时间跨度上从元代至解放前；二是指包括文本、功能、作者等在内较为系统的研究。除绪论、结语及附录外,全文共分五章。第一章阐述上海竹枝词研究的基本问题。首先通过厘清风俗诗、风土诗、民俗诗以及人类学诗等概念,明确上海竹枝词是风土诗的一种。诗性智慧的集体无意识、中国传统文化精神、以风土诗为中心的感性载体,以及历史诗学的思维与策略,四位一体,构成了上海竹枝词独特的外观形态与深层结构。上海竹枝词是一部诗性的风土志。无论是内容、写作手法,还是创作群体,都表明上海竹枝词的诗性身份不妨碍它“以诗补史”的价值与信度。第二章介绍上海竹枝词的主要内容。通过以“兴观群怨”为纲、以风土为目这种建构性的分类,以及传统的诗文细读的分析方式,清晰地展示出上海竹枝词是一部名副其实的诗性风土志,它全方位地表现了上海地区数百年来的风土与社会。第三章论述上海竹枝词的功能。上海竹枝词以丰富的内容和宏大的气魄建构出了上海文化模式,这是上海竹枝词的一个重要功能。纵观物质与景观文化以及行为与观念文化,上海竹枝词描述和建构了一种“诗性”的现代性文化模式。近代市场意识、社会平等观念、肯定人欲、追求自由的伦理观念、开放包容的文化心态,等等,既具现代性特征,又兼具诗性特征,诗性与现代性共同作用,造就出上海自在、开放的文化精神。从文化变迁角度看,该文化模式中的“诗性”与“现代性”一直处于变化、调适状态。与现代性建构相比,诗性建构越来越趋于弱势,当前,诗性精神几乎沦丧殆尽。上海竹枝词“诗性”的现代性建构对于上海地区文化精神的阐释具有独特价值。第四章分析上海竹枝词的作者群体。独特的历史文化背景与学术背景使得“诗性”的现代性文化模式在知识者身上发挥了巨大作用,呈现一种集体无意识的启蒙心态。上海开埠之后,这群生活在条约口岸的知识者在传统与现代中挣扎、徘徊。上海竹枝词中隐含的民族文化观、民俗民众观及地域文化观,充分体现出知识者意识中传统与现代的较量,以及知识者们面临文化冲突时的犹豫与矛盾。现代性的发生最终引发了知识阶层的心灵绎动,遂有这一诗性风土志的书写。就竹枝词而言,它因自身的民间性而获益,成为知识者用以建构现代性的审美工具。自心而生的竹枝词,也是一部知识者走向现代性的心灵史。第五章思考上海竹枝词当下的生存危机。全球化这柄双刃剑的消极一面使得文化生态遭到严重破坏。加上新的文化元素和文化样式的挑战,介于口传与书写之间的上海竹枝词失去了创作和传播的群体与渠道,流传了千年的记述工具已然处于濒危境地。保护上海竹枝词具有重要的社会历史意义。一方面,竹枝词是我们民族和地区珍贵的文化遗产,在意识到文化多样性的重要性的今天,我们必须全力加以保护和传承；另一方面,上海文化模式中的“诗性”精神正处于历史最弱势,城市精神的迷失也隐喻在竹枝词的式微之中,成为上海城市建设的根本性问题。因此,我们不能坐视蕴涵巨大诗性力量的竹枝词趋向枯萎而无动于衷,必须从诗性主体的重建与诗性土壤的培育两方面逐步推进对竹枝词的保护与传承,让诗性的书写运动在这个现代都市继续下去。更多还原

【Abstract】 Once upon a time, Zhuzhi Ci was a fairly popular and spectacular literary genre in Shanghai, with rich contents and huge numbers of authors and works. This dissertation is the first one ever to conduct a systematic and comprehensive study on Shanghai Zhuzhi Ci. By comprehensive, first it covers a huge time span from Yuan Dynasty to the founding of People’s Republic of China; Second, it covers text, function and author. This dissertation is constituted by 5 Chapters, besides Introduction, Conclusion and Appendix.Chapter One mainly concerns basic questions in Shanghai Zhuzhi Ci. It starts with a classification of the concept of Zhuzhi Ci, reaching a conclusion that it is a collective unconsciousness of poetic wisdom, a traditional Chinese cultural spirit, an emotional carrier as well as a thinking mode and strategy of historic poetics. This "quadrinity" constitutes the unique deep structure and outer shaping of Shanghai Zhuzhi Ci. Its contents, writing techniques and authors all indicate that the poetic identify of Shanghai Zhuzhi Ci does not hamper its value and credibility to complement historical narration.Chapter Two is mainly about a classification of Zhuzhi Ci. Taking into consideration the contents of Zhuzhi Ci and its functions, i.e. to stimulate interest, to appreciate beauty, to show solidarity and to satire, the dissertation reveals that Shanghai Zhuzhi Ci is a real poetic narration of local conditions, projecting various aspects of Shanghai life and social events.Chapter Three deals with the cultural constructive function of Shanghai Zhuzhi Ci. It constructs Shanghai Cultural Models with a boldness of vision and rich contents, which constitutes one major function of Shanghai Zhuzhi Ci. From the perspective of material, landscaping, behavioral and conceptual cultures, the author points out that Shanghai Zhuzhi Ci describes and constructs a poetic cultural model of modernity. The contemporary market awareness, social equality philosophy, a positive attitude toward human desires, the pursuit of freedom and a cultural tolerance are both of modern characterizes and poetic spirits, which function together to create a free and open community. In light of cultural evolution, the "poetic spirit" and "modernity" have been constantly changed and adjusted, resulting in a weaker poetic construction when compared with modernity construction. The poetic modernity construction of Zhuzhi Ci has a unique value in interpreting Shanghai local spirit.Chapter Four explores its authors. The unique cultural background and academic settings function uniquely on those authors, resulting in a community prone to modern spirit. Since the Treaty to open Shanghai to foreigners, the intellectuals here had developed a special mentality, struggling between tradition and modern. The ethical, cultural and geographical views in Shanghai Zhuzhi Ci vividly display the fightings between tradition and modern in their minds and depict their hesitations when facing the cultural conflicts. Modernity triggers turmoil in those intellectuals, which results in this poetic narration. Zhuzhi Ci benefited from its grass-root attribute, and evolved to be a modern aesthetic tool for intellectuals to construct modernity. Arising from the bottom of heart, Zhuzhi Ci is just a history of those intellectuals transforming to modernity.Chapter Five addresses the current crisis of Zhuzhi Ci. Globalization, as a double-edged sword, has degraded traditional Chinese poetic spirit. Zhuzhi Ci now faces the challenges of mass pop culture, accompanied by novel cultural elements and styles. As a result, Shanghai Zhuzi Ci, a form between oral and writing narrations, is gradually losing its authors and dissemination channel. Shanghai Zhuzi Ci, a thousand-year-old narration, now is on the verge of extinction. Its fate is also a metaphor to show the loss of City Spirit, a fundamental problem in city construction. We cannot afford to do nothing. Rather, we must enhance the protection and maintenance of Zhuzhi Ci from the re-construction of poetic subjectivity and the enrichment of poetic soil, so as to keep the poetic narration going in this modern metropolis.更多还原