日本近代以来《聊斋志异》的受容及其研究

【作者】 安载鹤；

【导师】 孟庆枢；

【作者基本信息】 东北师范大学 ， 日语语言文学， 2010， 博士

【摘要】 近年,我国《聊斋志异》研究,引进西方新的文学批评方法如叙事学、女性文学批评,成为《聊斋志异》研究的主流。与之相对，同为汉字文化圈的日本的受容可谓我国研究的一个重要参照系。本论文将焦点集中于日本近代以来对《聊斋志异》的受容与研究,试图展现翻译·翻案的全过程及研究的倾向,在儿童文学方面作为材料的作用,并从中国研究的影响和日本的新动向,探求《聊斋志异》的现代意义。这里所说的受容,是接受与吸收的结合,与单纯接受相比,更主要在于吸收于自己的文化之中。第一章“序章”中,首先追溯了《聊斋志异》的成书、刊行。重点介绍了在日本的传播过程、对《聊斋志异》的评价。近代日本对《聊斋志异》的受容形态,其背景是中日两国对“鬼”、“幽灵”、“妖怪”等概念的异同上,同时这也是解读以“支那趣味”作为原点的《聊斋志异》受容过程的重要线索。第二章“《聊斋志异》的翻译”将重点集中从柴田天马、田中贡太郎开始的真正意义上的现代翻译。对柴田天马、田中贡太郎、村上知行、增田涉、田中克己等译本的内容、文体进行对照,此外还介绍了近年的翻译活动。第三章“日本近代文学作品对《聊斋志异》的受容”中,对日本近代文学作品中《聊斋志异》的翻案进行了分析。主要是对国木田独步、芥川龙之介、太宰治、火野苇平、安岡章太郎、小林恭二的翻案进行考察,解读翻案的内容与作家阐释的关系,以及对《聊斋志异》传播的作用。第四章“日本学界对《聊斋志异》的研究”中,从著作、论文、日本著中国文学史三个方面,试图掌握日本学界《聊斋志异》研究的全貌。第五章“《聊斋志异》与日本儿童文学”是中国《聊斋志异》接受形态中没有的一个领域,本论文着眼于近代、现代、近年三个阶段的翻译、编撰活动,对《聊斋志异》的想象性与日本儿童文学的关联进行探讨。第六章“日本《聊斋志异》研究的展望”,阐述了中国研究对日本研究的影响,并结合日本研究的新动向,预测作为中国古典的《聊斋志异》在日本的受容。日本,随着人们对中国现代社会认识的提高,《聊斋志异》已在一定程度上无法承担探索异国情趣的古老中国社会的桥梁的作用。在其社会背景的淡化中,作为文学文本的虚构性、想象力被不断强化。本论文对日本近代以来对《聊斋志异》受容与研究,其现代意义在于《聊斋志异》文本本身的价值。日本的翻译、翻案活动,是对文本现代意义的阐释,其操作性在研究视角上给我们的启示。更多还原

【Abstract】 The new literature critical methodologies such as narration and female literature critics on the research of Strange Tales of a Long Studio from the West have been a mainstream in China in recent years. On the contrary, the acceptance in Japan as one from the same Chinese-character cultural circle is an important reference to our nation’s research. This dissertation focuses on the research and acceptance of Strange Tales of a Long Studio in the neoteric Japanese literature. It intends to exhibit the tendency in the process of translation, research and the effect of the works as a material in Children Literature. By analyzing the influence of Chinese research and the new tendency in Japan, this dissertation explores the modern significance of Strange Tales of a Long Studio. The meaning of acceptance in this dissertation combines receiving and assimilation. Compared to simply receiving the content, the digesting of the literature in its own culture should be paid to a higher degree.Firstly, retrospect to the completion and publish of Strange Tales of a Long Studio, chapter one focuses on introducing the prevalence and evaluations of the works in Japan. The formation of acceptance in modern Japanese literature is based on the comparison of the concepts "ghost", "spirit" and "monster" in Chinese and Japanese literatures. It also can be interpreted as a major clue to understand the acceptance of Strange Tales of a Long Studio originally from "Chinese delight". Chapter two focuses on the modern translation of Strange Tales of a Long Studio from SHIBADA Tenma and TANAKA Kodaro. It compares the translations of SHIBADA Tenma, TANAKA Kodaro, TSUDAWA Taro, MURAKAMI Tomoyuki and TANAKA Katsumi etc. The dissertation also introduces the translation activities in recent years.In chapter three, the translation of Strange Tales of a Long Studio has been analyzed in the "acceptance of modern Japanese literature." This dissertation investigates the translations of KUNIKIDA Dokki, AKUTAGAWA Ryunosuke, DAZAI Osamu, HINO Ashihei, YASUOKA Shotaro and KOBAYASHI Kyoji. Chapter three interprets the relationship between the contents of translation and the explanation of the author as well as their contributions to the prevalence of Strange Tales of a Long Studio.In chapter four, in the analysis of Strange Tales of a Long Studio, the author tries to grasp the general feature of the research on Strange Tales of a Long Studio in Japanese literature from research articles, papers and Chinese history written by Japanese scholars.Chapter five focuses on one non-Chinese filed, Japanese children literature. It discusses the creativity in Strange Tales of a Long Studio and its relationship with Japanese children literature. It illustrates the activities of edition and translation of Strange Tales of a Long Studio in neoteric times, modern times and recent years. Chapter six focuses on "the Prospect of the Research on Strange Tales of a Long Studio " in Japan and it also interprets the influence of Chinese research to the Japanese research. Based on the new tendency of Japanese research, the dissertation also predicts the degree of acceptance of Chinese classic literature Strange Tales of a Long Studio in Japan. With the higher degree to the recognition of Chinese modern society in Japan, on certain points, Strange Tales of a Long Studio can not act as a bridge for Japanese people to explore the foreign sentiment of old Chinese society any longer. Contrasting with the dilution of social background, as a literature itself, the study on romance and creativity in Strange Tales of a Long Studio has been enhanced.This dissertation focuses on the acceptance and study of Strange Tales of a Long Studio in neoteric Japanese literature. It reveals that the present significance of Strange Tales of a Long Studio is the literature itself. The translation in Japan is the modern interpretation and cassation of the literature itself. The maneuverability of Japanese research gives us new ideas on the study of Strange Tales of a Long Studio.更多还原