【作者】 吴匀；

【导师】 贾磊磊；

【作者基本信息】 中国艺术研究院 ， 广播电视艺术学， 2010， 博士

【摘要】 在世界众多的电视剧类型中,武侠剧是中国原创的电视剧种,它不但蕴含了我国传统之民族文化,而且在华人乃至世界范围内具有较为显著的影响力与市场价值。尽管武侠电视剧的整体发展不过近五十年的时间,但历年来出品的剧集却数量庞大、风貌各异,研究起来有一定难度。而电视剧属于展示画面时空的综合艺术,是视觉文化中极为重要的分支,作为电视节目基本单位的画面本身就具有空间的伸缩性,电视剧制作者首先应进行的视觉化空间思维,也是自觉建立在现实空间意识基础上的创作方式。因此本文引入后现代文化批评中空间理论的研究模式,紧扣武侠电视剧的影像文本,同时结合艺术社会学、传播学、大众心理学、大众文化、视觉文化等相关理论对之进行详细解读。全文以“空间”作为武侠电视剧研究的切入点,参照武侠电视剧的影像与叙事文本特征,主要从自然空间、社会空间和文化空间三大部分展开论述,其他章节可视为对上述内容的铺垫及补充。其中自然空间是武侠电视剧的显著外在特征,如大漠荒原、山崖河川、竹林花海等地理环境都对画面空间的造型带来影响；社会空间是武侠电视剧表现角色形象、人物关系的主要方式,如朝廷官府、客栈集镇、庙庵寺观等类型空间都是经常出现的重要场景；而文化空间则以体现武侠剧文化价值与艺术内涵为首要目标。在塑造武侠电视剧的文化空间,特别是表现“江湖”、“田园”等意象时,更是体现出武侠剧自身的艺术优势和特色。此外剪辑、主题配乐等制作技巧同样为拓展武侠剧的意境增色不少。另外,由于在目前已出现的很多文章论述中,常会将“武侠剧”、“武侠片”等概念混为一谈,对于以武侠为主要创作题材的电影和电视剧作品也难得有深入、细致地对比分析,因此本文也将在论述中加入“武侠影视作品的同构解读”等相关内容。从某种角度看,对文化的研究并不局限于研究异域民族或高雅艺术,文化也是我们日常生活的一部分。作为当代大众文化重要组成部分的电视剧,需要引起学者的更多关注,因此本文将在阐述中国武侠文化传统的基础上,参考武侠电影的研究成果,结合广播电视艺术专业的自身特点,剖析武侠剧的艺术结构与类型特征,进一步完善中国电视剧类型研究的理论成果。更多还原

【Abstract】 In many types of TV drama, martial arts is the Chinese original genre, not only contains the traditional features of China, but also has significant influence and market value in the world.Although the development of martial arts TV drama that only nearly fifty years,but the production of drama is huge in quantity, the style and features is different, so it is difficulty to study. And the TV drama shows the polytechnic art of space-time of the picture, it is the extremely important branch in the visual culture, as the basic unit of TV programs, that picture has space for flexibility, the vision space thinking which the TV drama producer should carry on at first, is the conscientious creation way based on realistic space consciousness too. So the space theory research mode in modern culture is criticized after this text introduces, link the image text of martial arts TV drama closely,combining relevant theories such as sociology of art,communication,folk psychology,popular culture,visual culture for study.In this paper, "space" as an entry point for the study, it’s reference to the image and narrative texts of martial arts TV drama, mainly from the natural space, social space and cultural space in three parts to discussion, other sections can be regarded as paving the way for the above and added. The natural space is a significant features of martial arts TV drama, such as the desert wilderness,mountains,cliffs and river, bamboo forest, flowers and other geographical conditions are affect the television pictures of space; the social space is the martial arts TV drama displays the fundamental mode which Character and their relationships,such as the royal courts and authorities,inns and towns,temples and monasteries are often the important space scenes; the main objectives of cultural space reflects the martial arts cultural values and artistic contents. Martial arts TV drama in shaping the cultural space, in particular the performance of "Jiang Hu"、"Pastoral" and other images when it is demonstrated the arts features.In addition, clips, theme music and other production skills also increase the artistic conception for martial arts TV drama.Because the current discourse in many articles,often confused concepts such as "martial arts drama", "martial arts film", and the lack of martial arts movies and television works in-depth, detailed comparative analysis. Therefore, this article will also discusses "comparison of the martial arts film and TV drama" and other details. From one perspective, the study of culture is not limited to research exotic ethnic or elegant arts, culture is also part of our life. As an important part of contemporary popular culture, television dramas need to attract more attention of scholars.This article will elaborate on China’s cultural tradition of martial arts, based on the research results refer to the martial arts movie,unifies the television specialized characteristic,analysis the artistic structure and type characteristic of martial arts TV drama,further improve Chinese television research in theoretical results.更多还原