【作者】 马研；

【导师】 刘中树；

【作者基本信息】 吉林大学 ， 中国现当代文学， 2010， 博士

【摘要】 党报党刊指由中国共产党所掌握、主导的报纸刊物,它是体现、传达我国执政党——中国共产党的意志的最主要、最权威媒介,是我国进行意识形态管控的重要途径。在文学层面,党报党刊具有政党性、文学性和规约性,为显现主流意识形态在文学中的发展变化提供了平台。除了能够反映执政党和国家政权对文学的态度和具体要求外,党报党刊作为当代中国无法回避的文学载体,在文学历史的长河里发挥着多种独特的作用。本文欲以我国主要党报党刊——《人民日报》、《文艺报》上刊载的文学文本和相关文学的评论文章为研究基础,结合不同时期文坛的发展趋势,抓住最具代表性的、具体的文学现象和文学思潮的流变,兼顾党报党刊自身独特的内在机制,力求以全景的视角,揭示党报党刊文学的自身特点和党报党刊在中国当代文学发展中产生的影响。首先,本文通过将党报党刊对各种文学体裁的具体影响进行点面结合的归纳梳理,在创作层面全景展示、总结党报党刊与文学的关系。在此基础上,对最重要党报《人民日报》在“十七年”时期之于文学的影响,分阶段进行总结和研析,以期能将党报党刊与文学之间的关系把握得更加全面、深入、细致。在深入讨论文学思潮产生、形成、发展过程中,所受到的来自以《人民日报》、《文艺报》为代表的党报党刊的具体影响的前提下,全面解析《人民日报》、《文艺报》的译著热点对文学发展的影响。文学批评是党报党刊上最主要的文学表现形式之一,本文梳理了以《人民日报》、《文艺报》为代表的党报党刊层面文学批评独具特色的发展变化,并分时期总结了其带给中国当代文学批评整体格局的种种影响。党报党刊有保障其存在和发展的内在机制和独特属性,这对文学形成了益处和弊端并存的多重影响,本文从编辑规则等多个角度切入对其进行研讨。在以上各个方面详细论述的基础上,本文在最后对党报党刊影响文学方式的变化进行了总结、梳理和解析。更多还原

【Abstract】 Party organ is a newspaper operated by the Chinese Communist Party, it is a major media in conveying the purpose of the administration party and an important approach in ideology control. On a literature level, the party organ is political, literary, and prescriptive, and it is a platform of the dominant ideology. In addition to the reflection of the administrative requirement to the literary range, the party organ itself is a literary form which functions in many ways and deserve analysis.This thesis takes the articles about literature and literature critics as a research target (People’s Daily, Literary Newspaper, 1949-1999 are mainly involved). The literature trend of different times, the specification of literature transition, and the system of party organ are considered in order to give a full view of features and influences of party organs.The basis of this research is to analyze the relationship between different forms of literature. First, this paper categorizes the influences of party organ upon prose, essay, poetry, novel, and drama. A relationship between the party organ and literature creation is revealed here.The People’s Daily as a central authority paper is the most authoritative party organ which exerts the greatest influences upon the construction of ideology and the literature paradigm since the foundation of the People’s Republic of China. After a general introduction of the relationship between the party organ and literature creation, this paper focuses on the influences of the People’s Daily during the seventeen-year period which was divided by the anti-rightist struggle into the former-eight-year period and the latter-nine-year period with the aim of a full deep and thorough study of the relationship between the party organ and literature. Lu Xun’s essays have been of great attention and praise ever since the Yan’an Period. This paper studies the relationship between the representative authors of the China Daily’s like Xu Maoyong and Ba Ren etc. and Lu Xun during the seventeen-year period in order to make up the empty of the study of the relationship between the party organ and literature creation during the seventeen-year period.Every period has its own literature style and the style varies with the society. The party organ plays an important role in the transition of certain literary current since the foundation of the People’s Republic of China. It reflects many literary rules and the features vary in different times. This thesis is divided into three parts according to the political variation: the seventeen-year, the 1980s and the 1990s. The functions of the party organ in the three periods are generalized: in the seventeen-year period, the establishment of literary field and advances of the peoples’creatin; the 1980s, getting rid of the stale and bringing forth the fresh style, and ideology unification; the 1990s, survey the current defend the ideology.The foreign literature works exerts ceaseless influences upon Chinese literature ever since the foundation of the People’s Republic of China. The focus on foreign literature reflects the main ideology’s concern about the foreign literary current and determines the foreign literature’s influence during the time. In a broad view, the party organ’s influence upon foreign literature’s spread in China varies in different time: during the seventeen-year period, the party organ’s major concern is the translation of the Soviet Union’s literature work which affects Chinese literary field’s attitude toward the Soviet Union. Soviet Union’s literary prosperity and decline in China is deeply influenced by the party organ. This paper analyses the reason of the prosperity of the Soviet Union’s literature work during the seventeen-year period and the party organ’s contribution to its prosperity, at the same time the translation influences upon the reportage is also argued here.Literary critics is an important manifestation of literature. The party organ as an independent literature form, its published critical essays manifests its own distinctive features in different times and influences the critics of the same time. This paper generalized the unique development of the critic field of the seventeen-year period and after the culture revolution caused by the party organ’s critics.The party organ as a substance has its own infrastructure such as editorial regulations, administrative type, and professional features, which have formed a institutional structure and exerts influences upon the literary field. Among those influences there are some positive influences such as the origin of some new literature form with great significance. However, negative influences exist too. This paper explores the existence of the positive and negative influences to the literature field, which were brought forth by the party organ from the perspective of editorial regulations.Every change of the major social ideology, literary current, and literary language is accompanied by the party organ’s change of the method of its influence, therefore, before the thorough exploration of each aspects about the party organ, the method of the influence of the party organ is summarized first. First, this paper clarifies the establishment of the authority of the party organ in the literary field. Then it is taken as a clue to categorize the methodology change of the party organ in the following four periods, the seventeen-year period, the culture revolution period, the end of the culture revolution to the middle of the 1980s, and from the middle of 1980s to 1990s. From the above periods, the unstable relationship between the party organ and literature can be spotted, though the cause of the change is from the executive party, the actual influences of the relationship which is underwent by literature is various.更多还原