天工梅心-宋元时期画梅艺术研究

【作者】 孙红；

【导师】 任道斌；

【作者基本信息】 中国美术学院 ， 中国美术史， 2010， 博士

【摘要】 梅花是中国原生态的、最富有中华文化特色与情感内涵的植物之一,是具有中华民族特质的典型载体,画梅艺术作为中国传统绘画题材,在宋元时期出现了繁兴发展的态势,影响波及明、清两代及域外(日本)。本文采用上、下编的格局对宋元画梅艺术的文献和图像资料进行系统梳理、挖掘和研究。上编以“历史探渊及传承新变”为主题,着重以宋、元两代为中心,从画家、作品、艺术特点以及画史成就等方面对院体和文人画派两条流脉进行分析阐述,印证画梅艺术在宋代的繁兴和元代的光大发展这一史实。此外,又以专门章节探究了宋元画梅艺术的精神内涵与文化价值,以及对明清及域外(日本)的影响,从而反衬出研究宋元画梅艺术的重要价值和深远意义。下编主题为“图像与风格的演变及特征”,从自然生态中的梅花引入到画梅艺术写生,继而阐述了宋元画梅图的笔墨技法、图式、意境等风格特征,与上编的史料内容起到交互印证的关系。本文旨在充实中国花鸟画、文人画,以及梅文化领域已有的学术成果,希借此对当下花鸟画创作及发展有所启示。更多还原

【Abstract】 Plum (Mei) is one of the original ecological plants which are most enriched in Chinese cultural characteristics and emotional contents in China. It is a typical carrier which possesses the unique features of Chinese nation, and flowering plum in painting as an important subject matter of traditional Chinese painting, appeared prosperity of development in Song and Yuan dynasties and the influence of this prosperity spread to the two dynasties of Ming and Qing as well as the outside country (Japan), and still exists today.In this thesis, by means of combining theory with practice, the pattern of first-and-second part is adopted to illustrate the flowering plum in Song and Yuan painting theoretically and comprehensively. In the first part, by taking the historical exploration for the source and the new change in inheritance & innovation as its theme, the two dynasties of Song and Yuan are focused on to analyze and illustrate the two sources—the court painting genre and the scholar painting genre from the aspects concerning painters, works, artistic features and the achievements of painting history etc, and the historical fact that the flowering plum in painting was flourished in Song Dynasty and developed in Yuan Dynasty is confirmed. Besides, the spiritual implications and the cultural value of the flowering plum in Song and Yuan painting are explored and researched through specialized sections, and further more, their influence on Ming Dynasty, Qing Dynasty and the overseas country (Japan) is developed and thus the important values and far-reaching influence of the flowering plum in Song and Yuan painting are reflected. The theme of the second part is the evolution and features of image and genre, from the introduction of the natural ecological plum blossom to the flowering plum painting sketch, the stylistic characteristics of flowering plum in Song and Yuan painting on brush-and-ink skill, painting style and image etc. are systematically elaborated, and thus forms a mutual corroborating relationship with the first part. The aim of this thesis is to enrich the obtained academic achievements in the fields of Chinese flower-and-bird painting, scholar-painting and Mei culture, and deepen the rediscovery and reasonable holding of the flowering plum in Song and Yuan painting, and then to inherit, innovate and develop its value as a classic tradition.更多还原