【作者】 徐海准；

【导师】 吴文光；

【作者基本信息】 上海音乐学院 ， 音乐学， 2009， 博士

【摘要】 本文由绪论、正文、结论三个主要部分构成。绪论部分主要陈述了本课题的研究目的与意义、研究方法、前人的研究现状。正文部分,从四个方面对朝鲜前期(1392-)的唐乐器研究进行阐述。一、韩国古三国时期在朝鲜半岛存在的乐器。主要是考察有关高句丽、百济、新罗的文献和考古学史料中出现的乐器,指出韩国古三国的上述乐器有相当一部分接受了中国的,而新罗在统一朝鲜半岛以后接受高句丽、百济的乐器;二、高丽时期在朝鲜半岛存在的乐器。主要考察在高丽时期接受中国的先进音乐的情况和其作用;三、朝鲜前期在宫廷所使用的中国俗乐器的变化。主要考察朝鲜前期文献中记载的唐乐器的变化,而且在《乐学轨范》“唐部乐器图说”渊源的来源和考察在朝鲜前期使用的13种唐乐器中11种乐器的韩国化过程;四、古朝鲜半岛的音乐机构。主要考察朝鲜前期宫廷音乐机构与官职的渊源与构成,而在其一世纪左右的发展过程中唐乐在朝鲜的地位和乐器的韩国化过程的一面。本文在结论部分提出,在朝鲜时期唐乐的发展和唐乐器的韩国化的大背景下,朝鲜世宗和成宗时期唐乐器的变化呈现出显著的区别。在世宗时期(1418-1450)开始整备乐器,新创作乐曲,整理雅乐等等的音乐文化事业中,需要了一种朝鲜音乐的发展,到成宗时期(1469-1494)以后很多中唐乐器本身已经有不少的变化,而且这些乐器在朝鲜本土音乐伴奏时也使用。自此,宫廷音乐中乐的成分得到了极大的加强。所以通过研究高句丽、百济、新罗和高丽时期从中国进来的乐器,可以发现:朝鲜前期除了雅乐的极大的发展以外,还具有唐乐的发展及其音乐的韩国化,而且在一定程度上也经历了唐乐器的韩国化过程。更多还原

【Abstract】 This essay is composed of three parts:introduction,body,and conclusion.The introduction primarily covers three things:the meaning and purpose for research,the research method being applied,and the research method used in the past.The body of the essay will elaborate on four facets of Choson(1392～) Tangyueqi(唐乐器). First,musical instruments which existed on the Korean Peninsula during korea’s Three Kingdoms Period.This is mainly to investigate any connections between Goguryeo(高句丽),Baekje(百济),and Silla(新罗),by looking at the relevant literature and archaeological data for more insights on the musical instruments of the time.Indications show that a large part of the musical instruments during Korea’s Three Kingdoms Period were indeed adopted from China,and that Silla(新罗) accepted instruments of Goguryeo and Baekje after the unification of the Korean Peninsula.Second,the musical instruments existent during the Goryeo(高丽) Period on the Korean Peninsua.Mainly,investigating the adoption of China’s advanced musical instruments and the functions in which they served during the Goryeo Period.Third,the extent and changes of Chinese folk instruments used in Choson’s(朝鲜) ancient Royal Court.Mainly,looking at literature and documentary records that pertain to changes in Tangyueqi,as well as,the 11 of 13 instruments originally used and gradually "koreanized".Fourth,examining the old Choson Peninsula’s music establishment.Mainly,looking at the music establishment in the old Choson Royal Court and the origin of its elevation as official music.Also,shedding light on the status of Tangyueqi before and after the Choson period.The conclusion will give a background of events happening during the Choson period. Specifically,indicating notable changes(development and "koreanization") occurring,in Tang Musical Instruments within the Choson,Shizong(世宗),and Chengzong(成宗) periods.New musical compositions were created during the Shizong Period(1418-1450),as well as,a music culture that included Gagaku music,for instance.After the Chengzong Period(1469-1494), many Tangyueqi(唐乐器) had already gone through many transformations and served as accompaniment in Choson musical performances.These instruments progressively played a larger role as Royal Music.Through research of the musical instruments coming in from China during the Goguryeo,Baekje,and Silla periods,there have been a few discoveries:During the Choson Period,aside from the extensive development of Ya-Yue(雅乐),there was a steady development of Tangyueqi.In addition,the Choson Period has,to a certain degree,experienced a "koreanization" of Tangyueqi.更多还原