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论朝鲜时代后期传统家具

On Traditional Furniture in the Later Joseon Period and Its Relationship with Ming Style Furniture

【作者】 鞠文俐

【导师】 杭间;

【作者基本信息】 清华大学 , 艺术学, 2009, 博士

【副题名】兼论与明式家具的关系

【摘要】 中国与韩国的牵系关系始于古代。在朝鲜时期,两国交往密切,并始终处于友好的状态。朝鲜时期推崇慕华思想,积极吸纳明朝的文化。中国文化通过典籍渗透于朝鲜时期的文人生活,并由此影响到其他阶层。论文通过朝鲜与明朝的文化交流,分析明式家具对于朝鲜时代后期家具发展的影响。以壬辰倭乱(1592—1598年)、丁酉灾乱(1597—1598年)、丙子胡乱(1636—1637年)等战乱为分水岭,朝鲜时期的家具发展可分为前期和后期。因经历多次战争纷扰,朝鲜时期的国家经济发生很大变化,手工业的形态也产生了改变,逐渐形成以私工匠为中心的生产体系。私工匠的产生,直接影响了家具的发展。朝鲜后期的家具品种样式繁多,成为韩国传统家具的代表,这一时期也被称为朝鲜传统家具发展的鼎盛时期。朝鲜时期的住宅建筑,虽然居住形式遵循平坐式的生活方式,但其样式发展却受中国民间信仰以及哲学思想的影响。其中,儒教思想是当时的主导思想,对朝鲜时期的政治、经济、文化、社会生活影响颇深。儒教思想以三纲五常为基本理念,这使得朝鲜住居文化具有男女空间之划分,而空间的划分也使家具的样式有着不同的发展,并形成朝鲜时期家具的特点。朝鲜后期家具的审美思想类似于明式家具,这是因为文人对于两国家具的发展皆起到了重要的作用。朝鲜时期文人思想和文化艺术,深受明代文人及文化艺术的影响。虽然两者发展的结果不尽相同,但是他们所具有的基本理念是一致的。因生活方式的不同,明式家具与朝鲜后期家具的种类有所差别,但两者在选取木材、制造工艺、装饰技法等方面却有相同的发展。因此,论文通过两国家具样式以及装饰技法的比较,分析两国家具的异同。综上所述,朝鲜后期家具一方面因为两国的文化交流而在审美观念上显现出明式家具的影响,另一方面则以本土住居文化为基础,逐渐发展成为符合朝鲜文人审美观的朝鲜样式。

【Abstract】 The friendly relationship between China and Korea comes from ancient times, especially in Joseon Era. At that time, Korean admired China, absorbed Chinese culture of Ming Dynasty actively. And the cultural infiltration was running through the life of Joseon literati. Furthermore, this also made impact on other classes. Concerning about the cultural interchange, this thesis analyzed the influences of Ming-furniture at late Joseon period.Development of Joseon Era’s furniture can be sectored into two parts, through which the dynasty faced the Japanese Invasion of Renchen (1592—1598), Disaster of Dingyou (1597—1598), and Houjin Invasion of Bingzi (1636—1637). These Turmoil changed the county greatly, while in the filed of handicraft industry, by which‘private craftsmanship system’was centered and took directly impacts on the furniture manufactures. Therefore, we call the late part as the peak of traditional Joseon furniture, namely for its unique types and versatilities.In Joseon living building, people usually took the right angle sitting position, but the furniture was affected by Chinese folk belief and philosophy, that Confucianism played a very important role, and spreading all over the politics, economics, culture and social life. Three cardinal guides and five constant virtues in feudal ethical code was the main point in Confucianism, that caused the living styles and the living spaces of Joseon divided into man-belonged and woman-belonged, by which indeed affected the styles of the furniture.The atheistic thinking of late Joseon furniture was similar to Ming-Furniture, while the literati had made so much important actions on it. Though the outcomes of thinking and arts of literati in two countries got a bit different, the affected Joseon got the same ideals of their Ming colleagues.With the different living styles, the types of furniture of two countries still remained divergences, but the choices of wood, craftsmanship, and decorative techniques got the parallel developing roads. So the analyzing works in this thesis are between the styles and techniques of the two.In conclusion, affected by the cultural interchanges with Ming and its Furniture, the late Joseon Furniture still had its local living base, that finally a mature style of literati at that time developed.

  • 【网络出版投稿人】 清华大学
  • 【网络出版年期】2010年 02期
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