【作者】 方敏；

【导师】 廖军；

【作者基本信息】 苏州大学 ， 设计艺术学， 2009， 博士

【摘要】 随着计算机技术和网络新媒体的出现与发展,界面设计已成为艺术设计领域一个崭新而重要的成员。界面设计大致可分为结构设计、交互设计和视觉设计三个部分。本文所研究的图形用户界面就属于界面设计的视觉设计范畴,是数字产品呈现给用户最直观的部分,也是用户与数字产品互动操作的接口。作为现代科学技术日新月异和文化传媒产业飞速发展的产物,一种特殊的新媒介,图形用户界面承载着丰富而复杂的文化信息。图形界面设计的一个重要目的是传达信息,其本身就是一种信息传播现象。图形用户界面设计不仅是一种信息传播行为,也是一种文化符号行为,其过程可以看作是一个文化信息传播过程。它与文化传播虽是两个不同领域的概念,本文仍将二者紧密地联系在一起。文章从文化传播角度对图形用户界面设计进行全新的思考与探索。追溯图形用户界面设计发生发展的历史轨迹,厘清图形用户界面设计的概念、疆域和艺术特点,通过对具有典型意义的代表性作品进行分析,深入探讨图形用户界面设计发展过程中涉及的现代文化环境与传统文化资源,分析应对跨文化传播活动中的各种问题,挖掘图形用户界面设计的理论价值,从而更好地把握图形用户界面设计与新技术融合后的发展趋势和动向,这对丰富我国图形用户界面设计的理论研究,促进我国图形用户界面的设计创作,充分发挥图形用户界面的媒介优势,使我国图形用户界面设计准确定位于国际图形用户界面设计发展轨道之中以及对于我国数字产品的发展和传统文化的发扬都将具有较为深远的意义。本文由七个部分组成:第一部分引论简要介绍了本文研究的前提、起因,研究目的、意义及方法,并对论文研究的相关概念和国内外研究状况进行了精练的阐述;第二部分概括说明了图形用户界面的形态变迁与应用内容,并从文化传播的角度对图形用户界面进行了认识剖析;第三部分主要介绍了基于文化传播的图形用户界面设计环境,主要包括全球化传播语境、地域文化环境和消费文化环境;第四部分回顾了全球视野与中国传统文化的现代转向,在阐述中国传统文化与图形用户界面设计的基础上,探索了中国传统文化在图形用户界面设计中的再生问题;第五部分为全球传播语境中图形用户界面设计的跨文化传播思考,涉及文化差异、冲突、霸权、沟通、融合、认同等影响文化传播的因素,基于文化多元化和消费时代的文化融合现实,用“和而不同”的态度构建文化身份以实现文化归属;在上述论述的基础上,第六部分对未来图形用户界面进行了畅想,并提出了基于文化传播的图形用户界面设计趋势,即由过去的设计技术与理念的“西方至上”发展到现在的“东西融合·多元共存”局面,最终将走向设计理念的“回归东方”;最后在结语部分,作者首先作了研究结论概述,指出自己的研究不足与局限性,同时对本领域研究做了展望并呼吁更多学者来关注图形用户界面设计的文化传播问题。更多还原

【Abstract】 With the emergence and development of the computer technology and new media network, interface design has become a new and important member in the field of art design. The design can be broadly divided into three parts: structural design, interaction design and visual design. The graphical user interface studied in this article belongs to the visual design of the interface design, which is the most intuitive part that digital products present to the user and also the interface between users and digital products to operate each other.When the art design develops into a deep level, it not only has a further contact with science and technology, but also surely happens to cross with some branches of culture, such as history, folklore, study of human culture, social psychology, social ethics. Implementation through the design is not just commercial purposes, but also the reflection of politics, economy, culture, philosophy, aesthetics and social psychology in a certain period. As a product of modernly-advanced science and technology and rapidly-developed cultural media industry, graphical user interface which is a new and special media, carries abundant but complex cultural information. One important aim of interface design is to convey information, which itself is just a phenomenon of information dissemination. Graphical user interface design is not only an act of information dissemination, but also an act of cultural symbol; its process can be seen as a cultural process of information dissemination. Therefore, graphical user interface and cultural transmission are two concepts of two completely different areas, but this article will still link the two closely.This article from the perspective of cultural transmission gives graphical user interface design a new thinking and exploration casts back the history of graphical user interface design and clarifies the concept, boundary and artistic characteristics of graphical user interface design. By analyzing the typically representative works, it also deeply explores the modern cultural environment and traditional cultural resources involved in development process of graphical user interface design, mining the theory of value in graphical user interface design, in order to better grasp the development trend after the integration of graphical user interface design and new technologies. This trend has a far-reaching significance to enrich our theoretical research of graphical user interface design, promote the creation of the design of graphical user interface, help our graphical user interface design accurately to position itself to the track of international development of graphical user interface design and benefit the development of our digital products and prosperity of traditional culture.The thesis is divided into the following eight chapters.Chapter One-- Introduction, briefly introduces this study’s the premise, causes, research purpose, meaning and method, and concisely expatiates the concepts related to the dissertation research and the study conditions at home and abroad;Chapter Two-- Ontology, gives an overview of graphical user interface’s concept, classification, application areas and the main form , and an understanding analysis of graphical user interface from the point of view of cultural transmission ;Chapter Three—Environment theory , mainly introduces graphical user interface design environment which is based on cultural transmission, including geographical cultural environment, consumer cultural environment and the spread of post-colonial environment;Chapter Four-- Resource theory, discusses in detail traditional cultural resources of graphical user interface design , reviews the global perspective and the modern shift of traditional Chinese culture and on the basis of analyzing the relationship between graphical user interface design and Chinese traditional culture, explores symbiotic interaction of the Chinese traditional culture and graphical user interface design;Chapter Five—Effect theory, includes the influence factors of effect, the specific effects of culture which is also known as the culture of communication and integration and cross-cultural conflict and cultural transmission;Chapter Six—Trend theory, at the above address, imagines the future of graphical user interface, and comes up the trend of graphical user interface design based on cultural transmission, that is, the development from the previous design technology and the concept of "Western supremacy" to the present " East-West fusion ? pluralistic coexistence "situation, will eventually move toward the design of the concept of" return self ";Chapter Seven-- Conclusion, in the final part, the author first gives an overview of research findings, pointing out their inadequacies and limitations of the study, while make the prospect in this field and calls for more scholars paying more attention to the cultural transmission of graphical user interface design .更多还原