【作者】 张长虹；

【导师】 周宁；

【作者基本信息】 厦门大学 ， 戏剧戏曲学， 2009， 博士

【摘要】 潮剧在泰国的遭际为移民族群艺术的典型个案。泰国是东南亚建国最早且唯一没有沦为殖民地的独立国家。长期以来,移民泰国的华人族群与所在国社会保持着较高的融合度。作为综合的舞台艺术样式,泰国潮剧不仅是华侨华人传承中华民族及地域特色文化、呈现其内在情感的最重要媒介,也是华人移民族群艺术与泰国社会文化相互交流的结晶。本文在论证泰国潮剧为一特殊移民族群艺术的基础上,研究其身份问题,从而探讨潮剧如何从一种中国地方戏曲,逐渐演变为移民族群艺术,进而提升为泰国国家艺术。除导言和结语之外,全文具体分以下五部分。其一,通过泰国潮剧的现代化与本土化描述其发展历程,展示其艺术本体价值;其二,在潮商推动泰国潮剧传播的过程中,中国一东南亚间的潮剧网络逐渐形成,泰国潮剧由此成为一种典型的移民族群艺术;其三,以酬神潮剧和泰语潮剧为研究对象,探讨泰国潮剧的社会功能,折射出华族的身份意识;其四,不同时期的中泰交往,可见泰国华侨华人的国家认同,据此,阐析了潮剧在泰国政治生活中扮演的角色,说明泰国潮剧的政治身份在确定中遭遇危机;其五,从文化心理的视角深入剖析潮人与泰人之间彼此的适应和接受,进一步论述泰国潮剧文化身份的建构与焦虑。本文首次全面、完整地厘清泰国潮剧发展的脉络,做出合理的分期,用戏曲事实探讨潮汕移民与潮剧流播的关系,梳理潮剧网络的形成,比较其在不同国家的呈现,考究泰国潮剧与中国潮剧之间的渊源和互动,由此丰富了中国现当代戏曲研究的内涵,增进中国戏曲与泰国本土戏剧及文化的交流。同时,潮剧在泰国的传播及其对泰国艺术的影响,反过来说明了东南亚对中国戏曲的接受,由此进行了跨界亚洲的研究。本文以泰国潮剧为个案,尝试建构移民族群艺术的研究模式。本文研究的方法和结论对中国戏曲、跨文化艺术、华侨华人问题、东南亚领域、世界移民族群乃至国际关系研究具有一定的借鉴价值。更多还原

【Abstract】 Chaozhou opera in Thailand is a typical case of immigrants’ art.Thailand is the earliest built and sole independent country without becoming a colony in Southeast Asia.For a long time,Chinese immigrants have highly merged with Thai society.As a type of synthetic stage art,Chaozhou opera in Thailand is not only the most important medium by which overseas Chinese maintain ethnic culture and reveal their inner feelings,but also the quintessence of intercommunication of Chinese immigrants’ art,Thai society and culture.Based on proving Chaozhou opera a special kind of immigrants’ art,the thesis discusses its identity,thus explores how Chaozhou opera,a local Chinese art, changed into immigrants’ art and finally became Thai art.Except the introduction and conclusion,this thesis is divided into following five chapters.First,describing evolutional stages of the modernization and localization of Chaozhou opera in Thailand so as to show its artistic value.Second,with the promotion of Teochew businessmen,Chaozhou opera’s network between China and Southeast Asia gradually formed,consequently Chaozhou opera in Thailand became a typical kind of immigrants’ art.Third,exploring the social function of Chaozhou opera in Thailand,then ethnic Chinese group’s consciousness of identity was refracted by studying Chaozhou Opera for Thanking Gods and Chaozhou Opera in Thai.Fourth,Sino-Thai relations in different periods affected overseas Chinese state-identity,thus Chaozhou opera played roles in Thai political life.As a result,it explains the certainty and crisis of political identity of Chaozhou opera in Thailand. Fifth,from the perspective of ethos,analyzing the acculturation and acceptance between Teochius and Thai,then further discussing constructive and fraught cultural identity of Chaozhou opera in Thailand.This thesis tries to comprehensively sort out the whole process of Chaozhou opera in Thailand by reasonable stages for the first time.It discusses the relations between immigration and spread of Chaozhou opera,narrates the formation of Chaozhou opera’s network,makes a comparison among Chaozhou opera in different countries,studies the mutual promotion between Chaozhou opera in Thailand and in China.Therefore,it enriches traditional Chinese opera studies,furthers the communication between traditional Chinese opera,Thai theatre and culture. Meanwhile,the spread of Chaozhou opera in Thailand and its effects on Thai arts also demonstrate that people in Southeast Asia accept traditional Chinese opera. Therefore,the case involves cross-Asian studies.This thesis takes Chaozhou opera in Thailand as a case to set up a pattern of studies on immigrants’ art.Its methods and conclusion do some good for studies on traditional Chinese opera,cross-cultural art,overseas Chinese problems and Southeast Asian as well as international migration and relations studies.更多还原