【作者】 孙淼；

【导师】 杭间；

【作者基本信息】 中国艺术研究院 ， 设计艺术学， 2009， 博士

【摘要】 从2000年以来，国内开始了兴建博物馆的热潮。各地纷纷建立省博物馆新馆、地方专题博物馆、纪念馆等等。事实上尽管有了规模的扩大，但在博物馆空间的设计理念上还存在很多问题，值得我们反思。本文研究的重点即是在对中国艺术博物馆空间做出批判的基础上，尝试找到一条适合中国传统艺术展示的博物馆空间发展道路。论文具体分为四部分内容。第一部分回顾了中国博物馆空间的产生、发展过程，以空间为界限将建筑空间与展示空间分别论述，每一部分又以时间为主线，从古代到当代进行了全面的总结。第二部分则是对中国艺术博物馆空间现状进行批判，以博物馆空间中观众、艺术品、环境三者形成的结构关系为主线，以公共空间和展览空间两个层次展开，阐明了当前博物馆空间缺少对人的关怀、展示缺乏内涵的主要问题。第三部分提出解决存在问题的办法，这也是本文的核心观点，即要重新构建中国博物馆空间的艺术语境。通过明晰艺术语境的概念，简要回顾西方博物馆空间艺术语境的产生与发展，说明艺术语境之于博物馆空间的重要。之后论文着重从古典园林与公共空间；传统室内陈设与展示空间；传统艺术品的欣赏与陈列方式这三个方面对中国传统艺术的原始语境展开论述，并总结出主要特征，最终目的是要从中找到与现代博物馆空间的结合点。第四部分从实践角度，重点分析国内外几个博物馆实例，具体研究公共空间与展示空间中的艺术语境问题，进一步探讨构建中国博物馆空间形态的方法。此外还以故宫博物院作为个案进行分析。由于故宫在国内博物馆中的地位独特，对于其空间形态的研究有助于中国艺术博物馆空间形态课题的深入探讨。论文的结尾对中国博物馆空间进行了展望，思考未来的发展趋势与面临的困难。在国内博物馆蓬勃发展的时期深入研究博物馆空间应当说是十分必要和迫切的。论文不仅在理论层面上尝试构建中国博物馆空间的理论体系，而且对于中国博物馆的具体实践也有一定的指导意义。更多还原

【Abstract】 Since 2000,more and more new museums have been built all over China.Althoughthe scale growing so fast,we still lack the idea of designing the museum space.So weneed to think about current situation afresh,and to find out a suited way,which isdifferent from the western museums,to exhibit the Chinese arts.Through looking back the history of the Chinese Museum,the author advances thecore viewpoint that setting up the context of the Chinese traditional arts in the museum,and then analyses some cases to demonstrate how to design the space of the ChineseMuseums.The whole dissertation is composed of four parts.The first part begins with reviewing the evolvement history of China’s museumspace from the time that first museum of China was established to today.In course of thestudy,the space is divided into two parts:architecture and exhibition hall.The second part tries to criticize the museum space in China.According to thedifferent spatial function,the research is divided into the two aspects:the public spaceand exhibition space,and the review focus on the relation of visitors,exhibits andenvironment in museum.The absence of considering the visitor’s experience is the mainthing of our museums。The lack of profound meanings in exhibitions is another problem.The third part mentions how to solve the current problems.It is a feasible way thatreinventing the context of Chinese Arts.At first,the writer analyses the development ofwestern museum space’s art context,then tries to find out the prototype of modernmuseum space through studying on the Chinese traditional garden,and interiorfurnishings.The classical display method is very helpful to modern exhibition design.The fourth part studies on some examples of modern space,including the westernexhibition hall of Chinese arts.The successful cases can help us to construct the artcontext of new museum space.As The Beijing Palace Museum has a long history,itbecomes an important case for discussing the situation of Chinese museum space.At the end,the writer advances the perspectives of Chinese museum.The futurespace must be a place that people can communicate with each other.This dissertation notonly set up the system of Chinese museum space’s theory,but also point out a practicaldirection for our new museums.更多还原