【作者】 李雅梅；

【导师】 吴中福；

【作者基本信息】 重庆大学 ， 计算机应用技术， 2008， 博士

【摘要】 南宋时期四川南部地区墓葬石刻艺术表现内容丰富、雕刻精美、造型独特、构图巧妙,在我国历代墓葬中极为罕见。这些规模庞大的石刻艺术群,从发掘以来享誉国内外文物界,是研究中国古代石刻艺术不可多得的实物形象资料。目前我国在南宋川南地区墓葬石刻艺术方面的研究极度缺乏,本研究通过实地调查与相关文献的比较与分析,对其中最具艺术特色的花鸟兽石刻和侍者石刻进行了深入的剖析与探讨,探索这些石刻艺术作品的形式美感、风格特征、艺术构思极其象征意义等,挖掘更深层次的精神内涵与艺术价值。同时本研究将图像识别技术具体应用到南宋川南墓葬石刻艺术的研究当中,建立了石刻数字图像库、特征库和识别库,是石刻艺术在模式识别领域应用研究的初次尝试。南宋川南墓葬石刻自动识别系统的实现,为艺术领域的研究者提供了一个科学的识别手段,使研究者在识别图片的过程中提高了识别的精度,节省了劳动时间,具有实用的价值。它的研究成果不仅停留在南宋川南地区墓葬石刻艺术这一特定领域,对我国历代石刻艺术识别系统的开发具有普遍和通用的意义。本论文研究的主要内容如下:第一章,重点讨论本论文的研究目的和意义,综述南宋川南墓葬石刻艺术研究和计算机相关领域的研究现状,分析南宋川南墓葬石刻图像的表示特征,讨论石刻图像识别的具体方法,最后对研究的技术路线、创新点以及论文的主要内容等进行简要论述。第二章,深入分析南宋川南墓葬花鸟兽石刻的艺术特征,并将其进行纵向和横向的比较,探讨南宋川南墓葬花鸟兽石刻的造型特征、审美特征与人文特征等,进一步揭示出其深层次的文化内涵与象征意义。第三章,通过对南宋川南墓葬侍者石刻的艺术特征的分析及纵向和横向比较,深入探讨南宋川南墓葬侍者石刻的艺术特征、风格特征与地域特征,尤其对其中独具特色的“椅子”造型、服饰艺术及艺术构思等进行探索性的研究。第四章,首先提出基于形态学变换等技术的南宋川南墓葬石刻图像预处理的方法;其次,对墓葬石刻图像的具体特征提出具有针对性的特征提取与选择方案;再次,对图像识别技术的重点环节模板匹配方法进行研究,并实现了南宋川南墓葬石刻图像的自动识别系统。最后,通过试验对南宋川南墓葬石刻图像识别系统进行改进,并验证识别系统的有效性。第五章,设计系统界面以显示识别结果,应用统计学的方法,通过问卷调查的方式,对系统识别与人工识别的准确率、相关系数及识别的效率进行比较与分析,进一步验证识别系统的有效性。更多还原

【Abstract】 The grave stone-carving in southern Sichuan of Southern Song Dynasty, boasts colorful meaning, elegant carving, unique style and artful design, which is rare in all dynasties of ancient China. Since its excavation, the carving cluster has been well known for its large scale to the cultural relic circle home and abroad, and it is the valuable tangible material for our research on grave stone-carving in ancient China. At present, the research on the grave stone-carving in southern Sichuan of Southern Song Dynasty is very few. Therefore, this research had an in-depth analysis and discussion on two kinds of the most artistic grave stone-carvings featuring flower, bird & animal and attendant respectively, thus to explore the beauty of form, style, artistic conception and the significance of these stone-carvings, and to search for its deeper moral meaning and artistic value.In the research, the image identification technology has been applied to the research on grave stone-carving in southern Sichuan of Southern Song Dynasty. And the author established digital image, characteristics and identification libraries for the stone-carving, which is the initial trial for application research of the pattern recognition on the stone-carving. And applying automatic identifying system for the grave stone-carving in southern Sichuan of Southern Song Dynasty provides a scientific identifying method for the art researchers. The system enjoys practical value for improved identification precision and shortened work time. Moreover, the research achievement of the system is not only applicable for the grave stone-carving in southern Sichuan of Southern Dynasty, but also significant to the development of identifying system for the grave stone-carving in every dynasty of ancient China. And the research of this dissertation mainly refers to:Chapter I: Discussed the purpose and significance of the research, summarized the research status of grave stone-carving in southern Sichuan of Southern Song Dynasty and relevant fields of computer, analyzed the image characteristics of the grave stone-carving in southern Sichuan of Southern Song Dynasty, discussed the specific means of research on identifying stone-carving image and briefly introduced the technical approach, innovations and main contents of the dissertation.Chapter II: Analyzed the artistic characteristics of the grave stone-carving featuring flower, bird and animal in southern Sichuan of Southern Song Dynasty, compared it with other carvings of the same kind in Southern Song and that of other dynasties, and discussed the outline, aesthetic and humanistic characteristics of these carvings, thus to show its deeper cultural and symbolic meanings.Chapter III: Practiced a deep discussion on the artistic, style and regional features of the grave stone-carving featuring attendants in southern Sichuan of Southern Song Dynasty via analyzing its artistic feature and comparing it with other carvings of the same kind in Southern Song and that of other dynasties, especially had an exploratory research for the unique chair design, fineries and the art conception.Chapter IV: Put forward the method of pre-treating the grave stone-carving image in southern Sichuan of Southern Song Dynasty, based on the technologies such as the transformation of morphology, and then brought up specific plans on feature extraction and selection according to the characteristics of the grave stone-carving image; subsequently, had a study for the template matching method of the key image identification technology aspects, and realized the application of automatic identifying system for the grave stone-carving in southern Sichuan of Southern Song Dynasty. Finally, made an improvement for the system through tests, and proved the effectiveness of the system.Chapter V: The design system interface showed the identifying outcome. Thus the availability of the identifying system was further verified by using the statistic method and questionnaire, contrasting and analyzing the precision, related coefficient and efficiency between system identification and manual identification.更多还原