浙地琴乐背景与“西湖琴社”

【作者】 王姿妮；

【导师】 伍国栋；

【作者基本信息】 南京艺术学院 ， 中国传统音乐理论， 2008， 博士

【摘要】 古琴及其音乐文化研究近年来成为学术热点之一,随着各学科领域相关研究成果不断呈现,琴乐文化之价值与意义也得以不断突显。在音乐学界,学者们更着意于从琴乐本体角度进行考证、剖析、研究,本文在其丰硕研究成果基础上,进一步选取“琴社”这个琴乐文化研究要素,将其放置于社会文化网络中,进行多层次、多角度的音乐文化解析。本研究以浙地当代古琴社团——“西湖琴社”为个案对象,透过对其琴乐观念、琴乐活动、琴乐事象的深度描述,在田野资料展现基础上,由具体分析到抽象思考,进而对我国当代琴乐文化定位进行探悉和总结。在论述过程中,从浙地琴乐历史溯源入手,采用民族音乐学历时性研究方法对其生成流变状况进行考察研究,展现出浙地琴乐的深厚历史背景、精深文化积淀,及当代浙地琴乐与西湖琴社生成的文化背景和琴学依托。在此基础上,展开对西湖琴社历史及现状的概括性描述与分析,对其进行整体认知和宏观把握,并揭示出其在浙地琴界的重要地位及以其为研究对象的学术研究之价值所在。在对西湖琴社的微观考察研究中,又选取“琴乐大众化”及“其与新浙派琴乐关系”两个着力点,对其中呈现出的琴乐事象深入观察并客观分析,揭示出当代琴乐大众化已是大势所趋,而琴社发展中与琴派的共生互动又成为其发展的核心动力之一。在围绕上述两个核心问题,对西湖琴社琴乐活动进行细微描述和深入分析前提下,进一步放眼国内琴界,对当代琴乐发展中存在的实质性问题进行阐述与思考。针对“大众化”、“精英化”两种琴乐文化定位理念进行学术探究,并提出“以大众化为基础以精英化为归宿”的琴乐传承发展策略,以期对当代琴乐实践起到正确引导作用。更多还原

【Abstract】 The research in Guqin and its music has become a hot spot of academy in recent years and the value and significance of guqin music culture has become more and more distinguished with the constant emerge of the related research fruits in all subjects and fields. In the musicology community, scholars attach more importance to the textual research, analysis and research from the angel of the guqin music itself; on base of the fruitful research result of the scholars, this thesis furthermore selects“Qin association”as the guqin music culture research factor, which is put into the social culture network to have multi-layer and multi-angle analysis on music culture.This research has contemporary local Guqin association of Zhejiang–“The West Lake Qin Association”as the study case, makes detailed analysis first and then abstract thinking and furthermore makes exploration and summary for the guqin music culture position through the in-depth descriptions on its guqin music ideas, guqin music activities and guqin music matters on base of the presentation of field works.In the treatment course, this thesis starts from tracing the guqin music history of Zhejiang, investigates and studies the evolution status by using the research method of national musicology diachronism to show the profound historic background and culture accumulation of the guqin music at Zhejiang and the formation culture background and Qin study basis of the contemporary guqin music at Zhejiang and the West Lake Qin Association. On such base, this thesis develops the recapitulative description and analysis on the history and existing situation of The West Lake Qin Association to have the overall cognition and macro master for it and reveal its important position in the Qin community of Zhejiang and the academic research value of having it as the research object. In the micro investigation and research of the West Lake Qin Association, this thesis also selects the two focuses as“The guqin music popularization”and“The relation between the West Lake Qin Association and newly Zhejiang group of guqin music”and makes in-depth investigation and objective analysis on the occurred guqin music matters to make clear that the popularization of contemporary guqin music is the trend of the times, while the co-existence and interaction between Qin associations and Qin groups in the development becomes one of the core drives of its development.By focusing on the two core issues mentioned above, with the precondition of making detailed description and in-depth analysis on the guqin music activities of the West Lake Qin association, this thesis furthermore looks to domestic Qin community and makes discussions and thinking on the existing substantial issues in the development of contemporary guqin music. In line with the two kinds of guqin music culture position philosophy in terms of“popularization”and“elite approach”, this thesis proposes the traditional development strategy for guqin music that“has the popularization as the base and the elite approach as the end-result”so as to hope properly guide for contemporary guqin music practice.更多还原