【作者】 覃京燕；

【导师】 鲁晓波；

【作者基本信息】 清华大学 ， 设计艺术学， 2006， 博士

【摘要】 数据收集、存储和管理能力的迅速提高,使得信息处理手段发生急剧变化;而我们理解信息的能力却没有在行为上(对待数据的方式)、思维上(寻找数字背后的意义)和技术上(提供更简便的工具使我们控制数字)得到相应提高。信息可视化、数据挖掘和图形设计已经成为人类提高认知和理解信息能力的重要手段,但是它们只是解决了孤立的单个特定问题,在更高层的策略理论及更宽广的应用层面上还存在很多难题,以致出现“信息饥渴”与“信息焦虑”的现象。另一方面,文化遗产的数字化保护不仅涉及国家经济发展,还关系社会稳定和文化传承;作为信息可视化的重要应用方面——数字化文化遗产领域,信息设计、文博事业及计算机科学领域目前“各自为政”,以文化遗产数字化保护项目为导向的多学科协同合作往往缺乏有效的、系统性的方法与操作原则。针对以上问题,本研究提出运用信息思维方法指导数字化文化遗产项目的整体策划,采用信息可视化模型和信息可视化设计原则进行数字化文化遗产中信息管理、信息呈现和信息传播的设计。本文首先从信息理解与认知的角度提出本研究的必要性;其次剖析其可行性与复杂性。将信息可视化运用于文化遗产保护,需要信息的采撷、阐释以及重新构想和重新建构。信息可视化过程是由决定构筑信息设计语境资源的“外部限定因素”与重新建构消失的时代氛围和精神的“内部构成因素”共同组成的关联性复杂系统。外部限定因素的不明确以及内部构成因素的缺乏联系(文化发展脉络)是本研究难点,对此笔者提出通过对时间信息的阐释与解读,再经过人的认知逻辑与信息理解的空间重构,揭示文化遗产与信息可视化之间的“显性关系”与“隐藏的逻辑”。信息可视化也由此体现出数字化文化遗产的理性智慧的真、感性智慧的善与知性智慧的美。通过信息可视化的设计方法研究使文化遗产的保护变成一种系统的保护,一种文化脉络的可持续性延续,一种文明精神的有效传播。更多还原

【Abstract】 Digital cultural heritage(DCH) means to protect human’s remembering and enhance information perception. And information visualization(IV), data mining and graphic design are the important tools to solve information anxiety problems caused by quantitative data, dispersive digital cultural heritage protection status.The paper focuses on the study of information visualization design method in DCH and provides an Information Visualization model which includes information management, information representation and information communication in the DCH projects.The paper emphasizes Information Visualization’s importance, feasibility and complexity for information understanding, analyzes the existing cultural heritage’s information deconstruction of time flow and reconstruction of space scene in DCH information visualization process from data acquiring, parsing, filtering, mining, representing, refining and interaction. The research challenge is that the inner construction factors about culture context and outside restriction factors about Cultural Heritage Zeitgeist which both create the information design context have weak relationship with each other. The paper focuses on analyzing the correspondence principles between the heritage fact and data essence and provides about thirty data structures for information designers. Through Information Visualization, DCH reveals rational intelligence in Science, emotional intelligence in Humanities and visual intelligence of Perception and Recognition in Social Sciences & Humanities. From fact to essence through information visualization, we need to think the essence of cultural heritage globally and act locally, explore new visual representation forms and human-computer interaction design methods to carry forward the DCH projects, actively reveal the relationship of the inner construction factors about culture context and outside restriction factors about Cultural Heritage Zeitgeist and achieve the culture systematic preservation, heritage sustainable development and civilization effective broadcasting.更多还原