王维画史形象研究

【作者】 杨娜；

【导师】 罗世平；

【作者基本信息】 中央美术学院 ， 美术学， 2008， 博士

【摘要】 王维是中国文人画史上的一个关键人物。在唐代,他的画史地位并不高,然而却伴随着文人画的发展于晚明攀升到了文人山水画的巅峰位置。披览画史,他的画史形象转变的关键时期是在北宋的后期。苏轼无疑是这一转变的积极推动者,他发挥了王维诗画禅的出位思维,变革了“师法造化”的传统绘画观念,且影响至宋徽宗朝画院的改革。王维的画史地位也在与苏轼文人画论、徽宗画院革新的互动中逐步建立起来了。此一互动的实质是文人士大夫身份意识的自我觉醒。全文分作四章。第一章是对王维在唐代画史中的形象作出的梳理。其中涉及他的生平、相关画史著述、诗画中禅的思维以及他与唐代山水绘画之间的关联。文章的第二章重点检讨了苏轼文人绘画理论中的王维形象。本章拟从两则争议引发的问题步入到苏轼对王维诗画禅发挥的探讨,并进一步转化视角,切入到具体作品的分析上来。第三章顺势考察了王维与苏轼的文人品鉴观,通过对王维一系列作品的考释以彰显北宋晚期文人绘画品鉴的特殊面貌。最后一章作为前述章节的阐发,在与相关作品的细致比较中,讨论宋徽宗是如何将苏轼发挥了的王维诗画破体思致引入到宫廷实际的绘画创作中来的。更多还原

【Abstract】 Wang-wei is a key figure in Chinese Literati painting history. In the Tang Dynasty, as a Literati painter, his position is not very important. However, in the Late Ming Dynasty, with the developing of literati painting, Wang-wei became the most important figure of the painting history. Through the research, this article believe that the critical moment of his figure’ s change is in the Late North Song Dynasty, and Sushi is the active promoter, who developed the thinking of Wang-wei ,changed the traditional painting concept of Study from the Nature and influenced the Palace painting reform of emperor Huizong’ s Academy in North Song Dynasty. With the mutual promoting of the Sushi’ s painting conception and Huizong’ s Palace painting, the position of Wang-wei in the painting history was established step by step. The essence of the historical process is the self-awakening of the Literati’ s identity.The paper includes four chapters. Chapter one classifies the figure of Wang-wei in the painting history of Tang Dynasty, includes his life, painting history literature, thinking of Zen in poem and painting, and the relation about landscape of Tang Dynasty. Chapter two pays more attention to elucidate the figure of Wang-wei in Sushi’ s Literati painting options. It approaching the question about how Su-shi considered Wang-wei from two controversies, transform the view and analyzing the works. Chapter three inspects the appreciating viewpoints of literati painting about Wang-wei and Su-shi, emphasizing the specific characteristics of the painting appreciation of the Late North Song Dynasty by expounding the works of Wang-wei. Chapter four discusses the question about how to lead the viewpoints of Wang-wei developing by Su-shi into the creating of the Palace painting by Song huizong, comparing with the related works.更多还原