【作者】 佀同壮；

【导师】 刘绍瑾；

【作者基本信息】 暨南大学 ， 文艺学， 2007， 博士

【摘要】 中国古典美学资源在现代文化中依然具有积极的组建功能，因此，发掘古典美学资源的现代价值、彰显其现代意义，无疑是古典美学研究的重要趋向。“庄子与中国现代美学”即是通过实证研究与阐发研究相结合的方法考察庄子这一古典美学资源参与中国现代美学建构的方式与途径，进而呈现庄子之于中国现代美学的价值与意义。鉴于“中国现代美学”内容十分复杂，为明晰起见，本文选取王国维、鲁迅、郭沫若、朱光潜、宗白华五位美学家为代表以展现“庄子与中国现代美学”的概观。王国维是中国现代美学的开启者，鲁迅是现实主义美学代表，郭沫若是浪漫主义美学代表，朱光潜、宗白华则可以说是专门的美学家，他们与庄子的关系显示出庄子参与现代美学建构有一个从“潜运”到“浮出地表”的逻辑进程。即王国维、鲁迅对庄子的承续很大程度上是庄子固有的美学精神的延伸，需待阐发才能见出庄子之现代美学价值的存在；郭沫若、朱光潜、宗白华对庄子的阐发则含有中西美学的碰撞、对话与交融，庄子美学也借以明确了其“现代”的历史向度。更多还原

【Abstract】 The resource of Chinese classical aesthetics still has its active constructional function in modern culture. Therefore, to explore its modern value and to display its modern significance are undoubtedly the important tendency in the study of classical aesthetics. In order to present Chuang- tzu’s value and significance in modern Chinese aesthetics, this paper reviews the modes and channels that Chuang-tzu takes part in the construction of modern Chinese aesthetics by means of empirical and elucidatory study. In view of the complexity of modern Chinese aesthetics, for clarity, this paper ventures to present Wang Guowei, Lu Xun, Guo Mo Ruo, Zhu Guangqian, Zong Huabai as representatives to display the overview of Chuang-tzu and modern Chinese aesthetics. Wang Guowei is the inaugurator of modern Chinese aesthetics, while Lu Xun and Guo Moruo are respectively the representatives of realistic aesthetics and romanticism aesthetics, and Zhu Guangqian and Zong Baihua are both professional esthetes. The relationship between them and Chuang-tzu illuminates the logical process from the submerged to the merged that Chuang-tzu bears part in the construction of modern Chinese aesthetics. That is to say, to a great extent, for Wang Guowei and Lu Xun, their inheritance of Chuang-tzu is the extension of Chuang-tzu’s inherent aesthetics, which should be interpreted so as to discover the existence of Chuang-tzu’s modern aesthetics value; as for Guo Morno, Zhu Guangqian, and Zong Baihua, their elucidation of Chuang-tzu suggests the collision and dialogue between the Chinese and western aesthetics, and the integration of them, which helps to explain the historical dimensionality of Chuang-tzu’s aesthetics.更多还原