【作者】 韩振华；

【导师】 王振复；

【作者基本信息】 复旦大学 ， 文艺学， 2007， 博士

【摘要】 王船山美学是中国美学史上的重镇，也是儒家美学的典型形态。本文立足于身体观和诠释学这两个对于船山生命哲学和学术实践关联极深的视点，透视船山美学的生命基础，探究船山美学的意义发生问题。船山的身体观以“气”为本体，以身心关系为核心话题，关注生死这一终极问题。在天人之际的生存视域中，他主张通过存神尽性的人生实践，实现生命的超越。船山的美学是一种生命超越的美学。“兴”是身体基础上的美、善之发生与显现。对于人来说，“文”指的是性、命、形兼顾的修身美学。“日生日动”与个体生存的时间性主题有关，其实质是在“当下(目前)”之中实现生命的内在超越。船山美学在经典诠释学的视域中展开，美学的意义是在“六经责我开生面”的诠释过程中生长出来的。船山美学的实质是儒学诠释学美学，它深深契合着时代的精神脉动。船山的经典诠释是一种身体力行之学，其悲怆而昂扬的人格美学是他用自己的坎坷人生演绎的生命颂歌。更多还原

【Abstract】 As the typical form of Confucian aesthetics, Wang Chuanshan’s aesthetics plays an important role in the history of Chinese aesthetics. The dissertation, in the perspective of somatics and hermeneutics which establish the bases of Wang Chuanshan’s thoughts, surveys the vital foundation of Wang Chuanshan’s philosophy, discodes the meaning-generating process.Wang Chuanshan’s somatics, rooted in his Chi (vital force) theory, mainly discusses the relationship between body and mind, shows his ultimate concern. Wang Chuanshan places human being into the existential context between heaven and man, claiming that man can realize his own transcendency by the means of practice, especially with the body-mind cultivation. Wang Chuanshan’s aesthetics is a theory of life transcendency. Xing is the arousing and appearing of beauty and kindness, based on soma-foundation. For man, Wen (cultivate, culture) indicates a cultivation aesthetics, including all three aspects: moral, vitality, and figure. Ri-sheng-ri-dong (ever creating, ever developing), concerning the timely existence of everyone, denotes the possibility of immanent transcendency at the every moment of life. As a canon hermeneutics, Wang Chuanshan’s aesthetics develops its own meaning within the interpretation of Confucian canons and other classics. It profoundly corresponds to the tide of time spirit. He earnestly practiced what he comprehended from the interpretation of earlier classics, and characterized his painstaking life as a beautiful personality, a touching song with sorrow and pride.更多还原