从大脑左/右半球不对称现象看扬州八怪的绘画艺术

【作者】 布罗夫；

【导师】 周积寅；

【作者基本信息】 南京艺术学院 ， 美术学， 2006， 博士

【摘要】 在科学与技术发展的目前阶段中，各门学科失去其独立性，并日渐开放起来，更容易接受其他科学领域上的研究成果。艺术范围内进行的各种过程，不仅是艺术史和艺术批评的主要研究对象，它们也可能从美学、人类学、社会学、心理学、信息理论等不同学科的角度被描述和分析。近几十年来，在越来越多的艺术方面的研究中运用自然科学的研究方法，如试验、测量、问卷调查等。采用定量方法来研究文化现象，目前还是很少见，但是日益多起来。本论文以精神生理学(人的大脑不对称现象)、心理学和信息理论一些基本概念为基础，采用一些自然科学的定量研究方法来研究中国清代初中期绘画艺术，也就是一批名称为扬州八怪的画家的绘画创作。在本论文中，我们把扬州八怪分为三个类型(倾向于左半球(分析)主导为左型；倾向于右半球(综合)主导为右型；左／右半球主导倾向性不明显为中型)，显示了此三个类型与八怪绘画艺术的相关性，给八怪绘画艺术绘成“心理肖像”，并与清初中期一些其他画家(四王吴恽、四僧)加以比较。更多还原

【Abstract】 At the present stage of the development of science and technique, different fields of science lose their specialization and become more receptive to the knowledge that other disciplines provide. All kinds of processes in the field of Fine Arts are not included completely in the realm of art history and criticism, but also can be described from the point of view of aesthetics, anthropology, sociology, psychology, information science etc.The application of quantitative research methods commonly used in natural sciences (experimentation, measurement, survey technique) to studies in the Fine Arts become more and more customary.In this research we apply some basic conceptions of psychophysiology (functional asymmetry of brain), psychology and information theory as well as a number of quantitative research methods to the studies of Chinese painting of the period of the Early and Middle Qing dynasty, specifically the group of painters, poets and calligraphers known as the Eight Eccentrics form Yangzhou.In this thesis we have divided the painters under examination into three types (left hemisphere (analytic) type, right hemisphere (synthetic) type and a middle type), demonstrated a correlation between the three types and the characteristics of their paintings, and compared them to some other important painters of the studied period.更多还原