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基于光视空间概念的光与空间一体化设计研究

Research on the Integration of Architectural Design and Lighting Design Based upon the Concept of Space for Brightness Perception

【作者】 常志刚

【导师】 詹庆旋;

【作者基本信息】 清华大学 , 建筑学, 2005, 博士

【摘要】 在当前照明研究和照明设计的发展中,有几个热点问题值得关注:⑴哲学和艺术作为照明设计专业的学科基础理论建设,⑵照明设计的心理学研究,⑶照明设计与建筑设计的结合,⑷照明质量与照明节能的统一性。从建筑学的层面,建筑设计与照明设计拥有一个共同的目标:塑造空间的视觉意象。本文以此为着眼点,探讨这些问题的内在联系和本质所在。在哲学层面上,本文运用近现代哲学的观念,结合视觉艺术——印象派绘画,探讨视觉认知的方法论,并把建筑中艺术与科学、设计与技术的结合问题转化为客观媒介(建筑空间)与主观意识相统一的认识论问题。在此基础上,提出了“光视空间”的概念,把空间的视觉设计归结为光视空间的设计,并进而采取现象学的方法,对光视空间的本质进行还原,探讨光视空间设计的基本观念和源泉,提出了光与空间一体化设计的方法,提倡光与空间的双向的互动的设计模式。在心理学层面上,本文探究了空间环境与视觉认知心理的关系,从而确定光视空间设计的关键问题——空间意象,并且提出:光视空间的设计,不是去构筑孤立的视觉刺激(比如实体造型——无论它自身多么“悦目”),而是要制造出那些指向空间意象的视觉线索——这些视觉线索(直接的或间接的)由于共同的指向而成为整体,并在整体的构成关系中获得自身的意义。以这样的观念,本文对光与空间的拓扑关系进行了研究,总结出两种图式:昼光图式和夜景图式,并相应的制作了两个实验装置。据此发展出光视空间的设计模型和相应的设计方法。在照明研究的层面上,本文结合心理学原理,对照明研究的现状进行剖析,梳理出照明设计与空间意象的关系,并对空间意象与照明节能的统一性进行了系列主观评价实验,得出若干空间意象与照明节能相结合的设计模式,进而提出,在光视空间的设计中树立一种“亮度极少主义”的观念,使节能成为光视空间的一种内在的、自然的属性和设计动因。本文试图为建筑设计与照明设计营造一个共同的设计语境。

【Abstract】 There are several issues that should be taken into account in the area of lightingresearch and lighting design. They are:1) The issue of philosophy and art on which Lighting Design is set as anacademic subject.2) Application of psychological theory in lighting design and lightingresearch.3) Integration of Architectural Design and Lighting Design.4) Energy-efficiency effects on lighting quality.From the level of Architecture, architectural design and lighting design aim fora common target that is a visual image in an architectural space. This dissertation triesto explore the coherence among these issues with regard of this common target. From the level of Philosophy, opinions of Phenomenology are applied toanalysing the concept and method of Impressionism, to investigate the cognition ofmodern visual art, and to transform the issue of combination of art and sicence inarchitecture into the issue of epistemology of architecture. This paper presents aconcept of “ Space for Brightness Perception ”, and transforms the design of lightand space into the design of Space for Brightness Perception correspondingly, andbrings forward a method of dynamic integrative design of light and space. From the level of Psychology, this dissertation clarifies the relationshipbetween spatial environment and visual perception, so that the design of Space forBrightness Perception is focused on spatial image which is a kind of representation inpsychological terms. In this context, topological properties of light and space areexplored to rejuvenate the prototype of the image of Space for Brightness Perception,and two schemas are developed: Day schema and Night schema. According to the twoschemas, two apparatus are made, and a design pattern of Space for BrightnessPerception is formed. From the level of Lighting Research, psychological theory is applied toanalysing the actuality of lighting research to clarify the relationship between lightingconditions and spatial images. Based on this relationship, a series experiments areconducted, and several design modes which could prompt both energy-efficiency andlighting quality are developed.This dissertation tries to set up a design context in which architect and lightingdesigner could cooperate more efficiently.

  • 【网络出版投稿人】 清华大学
  • 【网络出版年期】2006年 08期
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