【作者】 李耿晖；

【导师】 饶芃子；

【作者基本信息】 暨南大学 ， 比较文艺学， 2005， 博士

【副题名】20世纪70年代末以来的香港电视连续剧研究

【摘要】 本文是一篇关于香港电视连续剧的文化研究论文。论者通过“表征—意象—意识形态”的整体框架,对20世纪70年代末以来的香港电视连续剧中的二元人物符号、生存境遇意象以及香港视野进行分层次论述,试图从电视剧的直观图象入手,以具体的历史视角,发掘出简单图象背后暗藏的历史语境,并建立起它们之间实现的途径。 论文分为四章:其中,第一章是导语,梳理文化研究的理论发展及香港电视、电视连续剧的大致脉络,提出论文的理论目标;第二章从表征层面探讨香港电视连续剧中的二元人物符号;第三章从意象层面分析香港电视连续剧中的生存境遇;第四章从意识形态角度挖掘香港电视连续剧背后透射出的香港视角,包括香港意识、香港身份和香港边界。最后是结语,通过前章不同层次的论述,解析香港电视连续剧的总体特征。 本文的结论是:1)通过“二元人物—生存境遇—意识形态”的结构,香港电视连续剧讲述的是“香港人存在的故事”,其实质是香港人对生存的描绘与选择。2)香港电视连续剧总是与当下的历史语境相联系,但是它是去政治化的。3)作为文化工业的产物,香港电视连续剧表现出消费性关系和重复的特质。更多还原

【Abstract】 This dissertation deals with the topic of Hong Kong TV play series on cultural studies. With the overall frame of "Representation-Image-Ideology", the dissertation offers an analysis and interpretation of the symbol of binary modes of characters, the image of existing circumstances and the vision of Hong Kong in Hong Kong TV play series from the end of 1970s. And it tries to feature out the historical context behind audio-visual symbols, as well as the relationship between them.There are four chapters of the dissertation. The Chapter One discusses the development of cultural studies theories, of Hong Kong TV industry and TV series, the thoerical topics of the dissertation included also. Chapter Two is devoted to the symbols of binary modes of characters in Hong Kong TV play series with the angel of representation. Chapter Three is for the existing circumstances with the angel of iamge. Chapter Four is for the vision of Hong Kong behind these TV play series with the angel of ideology, including the consciousness, the identity and the border of Hong Kong city. The Conclussion, the overall characteristics of Hong Kong TV play series.The details as follows:1) The narrative content of Hong Kong TV play series is "the story of existence of Hong Kong people"-that is to say- the description and choices of existence.2) The relationship between Hong Kong TV play series and concret historical context is very tight but less interference from the factor of politics.3) As the production of cultural industry, the characteristics of Hong Kong TV play series are consumption and reprodution.更多还原