【作者】 翟红；

【导师】 朱栋霖；

【作者基本信息】 苏州大学 ， 中国现当代文学， 2004， 博士

【摘要】 本文以20世纪80年代中国先锋小说为研究对象，将其置于世界文学的广阔视野中，通过中外文学的比较，从国外语言学叙述学理论及现代主义、后现代主义文学思潮对中国小说界的影响，来论述先锋小说的缘起、变化和发展及其对传统文学叙述观念的冲击与颠覆。论文主要从先锋小说的语言层面切入，通过大量的小说文本细读，着重于对语言实证作较为细致的辨析，并以此为基础来讨论先锋小说文本中所呈现的语言现象和先锋小说家们所刻意尝试的叙述技巧。 全文由五个部分组成。绪论部分概述先锋小说得以产生的复杂文化、文学环境，论及80年代出现的先锋小说家在其语言实验中表现出挑战与叛逆、勇气与冒险、独特与创新的先锋姿态，和其时学界对先锋小说的反应和所作过的研究。第一章论述新时期之初以来西方语言叙事学理论在国内的译介概况，西方理论书籍的大量译介促进了西方文学思潮广泛而深入地在国内传播，为封闭多年之后的中国文坛提供了新鲜和丰富的理论资源和思想资源，思想活跃的年轻一代先锋小说家从中得到深刻启迪，他们以其独特的小说面貌对西方理论、思潮的巨大影响作出了积极的回应，同时，先锋小说文本的出现也触发了小说批评理论中的有关叙事学理论的新一轮译介。本章大略地从叙述观念的骤变与文本写作的创新两个层面来讨论马原等先锋小说家所进行的语言形式实验的意义。第二章以具体小说文本实例来辨析先锋小说家们笔下出现的元小说叙事、反讽、戏仿、拼贴、怪诞、非逻辑、隐喻、象征等从西方现代主义、后现代主义小说那里借鉴和搬用的一些叙述技巧。第三章深入到先锋小说的语言世界之中，面对先锋小说语言实验所呈现的丰富的语言现象，以自己阅读小说文本的体验为依据，从具体词、句为实例，从词类的活用、词组的反常搭配、以及各种修辞方法的陌生化运用等方面入手，比较细致地对例句作出自己的分析、归纳和评价。第四章论述先锋小说语言实验的得失和语言实验之后的转向。先锋小说的语言实验凸现了小说语言旺盛的生命力，它大胆地在语义、语法的各个层面进行反规范的运作，拓展了语言表达的更多可能性，给研究者提供了大量有价值的语言材料作为研究模本，为新的中文提要论80年代中国先锋小说的语言实验文学语言的发展提供了可资借鉴的语言经验。然而，先锋小说在语言实验中过度的语言操作，使得小说文本变得晦涩难解，导致了读者的远离。而先锋小说存在着比较明显的摹仿性，也极大地限制了它所能达到的艺术成就。因此，经历了激进的语言实验后，一些先锋小说家在新的小说文本创作中表现出追求意义重建与诗性回归的倾向。更多还原

【Abstract】 The thesis is as the research object with Chinese avant-garde novel of the eighties of the 20th century .By the comparison of Chinese and foreign literature ,put it with the wide field of vision of the whole world literature.Then it discusses the orignal appearing .changing and development of Chinese native avant-garde novel which was under the influence of foreign linguitics and narratoloie theories and literature trend of western modernism and post-modernism, and its impact and subversion of the narration concept to traditional literature .The thesis focuss on making careful analysis to language example sentence and narration skills that avant-garde novelists apply to novel writing text deliberately.The thesis consists of five parts.The introduction summarizes the culture and literature enviroment that Chinese native avant-garde novels can be produced,and discusses the novelists display a avant-garde posture of challenge and rebellion,courage and adventuer,unique and blazing new trail while pratising language experiment and also discusses the response and researches taken by the Chinese critical circle to avant-garde novels at that time.The first chapter expounds the general situation about translation and introduction of western linguistics and narrtologie theories in China since the beginning of the new period.The translating and introduce in a large amount of the books of western theory promte the ideological trend of western literature spreading extensively and deeply, it has offered fresh and abundant theory resources and thought resources for Chinese literature world which door was closed for many years. From which the active novelist of younger generation draw great inspiration, and they show the positive response to the trend of western literature by their unique writing text of new novels,while the appearance of thenewly novel text also touched off a new round of translating and introduce the relativecritical theory of novel such as narratologie theory at same time.This chapter discusses the meaning of the language experiment carried by avant-garde novelists ,such as Ma Yuan,Hong Feng,Ge Fei,Yu Hua ,etc,from two respects which about suddenly changing of narration concept and blazing new trail to novel text.The second chapter analyses the narration skills such as metafiction,mock,absurd,significayion, metophor, ect, that, avant-garde novelists apply to novel writing that imitating from the novel of modernism , post-modernism with the concrete language examples. The third chapter probes into the language world to discuss the abundant language phenomenon showing in avant-garde novels. Regarding my reading experience of novel as the basis,the chapter takes its ownanalysis.sum up and judge the example sentences carefully by taking skillful use of parts of speech,abnormal collocayion in phrase and different methods of rhetoric as the departure.The fourth chapter discusses the gain and the loss of the language experiment carried out by avant-garde novelists.also discusses their changing direction after the language experiment. The avant-garde language experiment protrudes the vigorous vitality of the novel language.its abnomal application on each parts of semanteme and grammar shows more possibility of language expressing. The avant-garde language experiment has offered a large amount of valuable language material for researchers, together with the language experience that can be used for reference for a new language development. However, becourse of excessive language operating,the avant-garde novels become too obscure to understand,therefore it had caused the drifting apart of the readers,and the imitating frequently the western works which also limits the avant-garde novel’s achievable art achievement badly.So after experiencing the radical language experiment,some avant-garde novelists are inclined to pursuing the meaning rebuilding and returning to poem quality while creating their new novels.更多还原