【作者】 冯汝常；

【导师】 齐裕焜；

【作者基本信息】 福建师范大学 ， 中国古代文学， 2004， 博士

【摘要】 本文重点研究神魔小说的文体特征，从神魔小说文体构成部分各自的特点把握该类文体的本质特征，进而揭示形成神魔小说文体特征的某些具有规律性的艺术表现。在总体论述上不仅紧扣“幻神”特征对神魔小说进行了重新命名，根据该特征划分出标准型、变异型和转换型三类，而且对神魔小说的演变源流进行了文体要素的考察，进而探讨原创、仿作与续书三阶段的各自特征。 在文体构成上本文选取题材的幻神特征、命意的主体转向、人物的行动者功能与结构的时空建构模式等作为重点分论题，以小说文体理论为指导，以神魔小说作品为依托，从文体视角对神魔小说构成进行创新性理论探析。对题材“幻神”特征分别从“幻文”、“幻事”与“幻理”三个根源进行论述；对命意“内省”的主体转向则从明清“三教同源”的背景入手，以主体性“内省”为旨归，在伦理主调、儒家转变和主体理想三方面进行深入开掘；对人物的行动者功能与意指意义，主要从神魔人物的独特神性、真实性与行动者功能方面展开论述，命名了神魔小说的通用人物；对于结构的时空建构模式，主要从空间三层次转换的结构功能价值和时间真幻两种状态变换的叙述作用进行阐述，而且总结出神魔小说结构状态的路线型、转世型和杂合型等三种独特模式。更多还原

【Abstract】 This paper focuses on the stylistic feature of the novel of gods and spirits, grasping its essential features from each part of characteristic, and revealing some artistic expression of regularity, which form the stylistic features of the novel of gods and spirits. Not only is the novel of gods and spirits named on the basis of "imagery god" feature by which it falls into 3 types: standard, variation and conversion, but also an investigation is made on the evolution of the novel of gods and spirits, and then each feature of 3 stage is discussed: original, imitate and extension.On the forms of style this paper selects as focus points the subject, the imagery god feature, the self-turn of the theme, the action function of characters and spatial-temporal construct of structure. With the novel stylistic theory as guidance, based on the novel of gods and spirits, an innovative exploration is made into the construct of the novel of gods and spirits from the stylistic perspective. The subject "imagery god" feature is discussed from 3 sources: imagery writing, imagery matter and imagery reason. The self-turn of the theme "introspection" is explored from 3 aspects: the ethical main tune, the Confucian conversion and self-ideal with Ming-Qing dynasties "3 religions of the same source" as background and self-introspection as purpose. The action function of the characters is illustrated from the specific divinity, reality and action function of the characters, named the general figure of the novel of gods and spirits. The spatial-temporal construct pattern of structure is elaborated mainly from the spatial 3-layer turn of structural function value and the narrative function of alternative between the real and unreal, and it summarizes three unique patterns such as the route type, the transmigration type and the miscellany type.更多还原