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艺术意味的生成

【作者】 顾颖

【导师】 王臻中;

【作者基本信息】 南京师范大学 , 文艺学, 2002, 博士

【摘要】 优秀的艺术作品为什么能传达出丰富的审美意味?这历来是中外美学力图解决而没有解决的问题,也就是本文力求回答的问题。 本文将艺术意味界定为一种审美情绪体验,根据卡西尔文化哲学的思路,本文提出审美情绪本身具有将自身客观化的潜在“赋形”因素:(一)情绪的感性色调;(二)记忆之“象”;(三)情绪的韵律。这些因素提供了通过艺术符号的形式描绘、暗示、传递情绪意味的可能。为解决“艺术意味的生成”的课题提供了立论的基础。 其次,本文从分析一般符号入手,揭示了艺术符号的特殊性,和表现人类情感的独特方式:艺术符号以迥异于一般符号的逻辑方式,采用诗意逻辑的方式去应接审美情感的赋形因素,从而使审美情感得以完美地表现。 这一过程的成功实现意味着艺术符号转化为气韵生动的生命形式,当文本的气韵生动的生命形式形成的时候,也就是艺术意味完满生成的时候。 由此,艺术意味的生成不再是一个不可言说的问题。

【Abstract】 The dissertation undertakes to answer a question: why excellent artistic works can convey rich aesthetic implications’7 Both Chinese and western aesthetics have been following it with intense interest but fail to give a satisfactory answer.Artistic signification is defined in the dissertation as a kind of aesthetic mood experience .In the light of Ernst Gassier cultural philosophy, the dissertation advances that aesthetic emotion possesses in itself potential self- objectivilized form-giving factors. I. Perceptive tone of emotion ;II Image of memory; HI. Rhyme of emotion The factors make it possible to describe, suggest, convey emotion implications and give an argumentative foundation to solve the issue of the creation of an artistic signification.In the second place, by analyzing average signals, the dissertation reveals the uniqueness of artistic signals and ways to express human sentiment. Unlike the logic of average signals, artistic signals adopt poetic logic to absorb form-giving factors so that aesthetic feelings can find perfect expression.The successful completion of process means that artistic signals are transformed into vivid and fresh life forms. When the vivid life forms of text come into being is the point when artistic implications come into full existence.Therefore, the emergence of artistic signification is no longer unconceivable.

  • 【分类号】I01
  • 【被引频次】5
  • 【下载频次】879
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