演进与运动：中国美术的现代化

【作者】 郑工；

【导师】 邓福星；

【作者基本信息】 中国艺术研究院 ， 美术学， 2000， 博士

【摘要】 中国美术现代化研究之根本是现代转型，即中国美术如何从 传统走向现代。 本文立足中国文化本位的立场，以运动陈述的方式，力图体 现中国美术现代化过程中的主流话语，并在种种阶段性规定中， 确定各自的主题。中国美术现代化运动的基本性质是自设自叙， 但每一次运动又在不同层面以不同的方式与西学发生关系，又在 不同角度质问传统，解构传统。 中国现代美术的运动进程并非现代主题的“单线绵延”， 并非以“分幕”的方式展开，也许用“分场”的概念更为合适。 分幕，是时间接续的概念；分场，是空间转换的概念。现代中国 美术的每一运动，其前后接续的时间不等，每个系列的运动并非一一首尾相连，其错综复杂的程度也实在各不相等。也许在某个 时期，运动的发生与发展会呈现前后因果关系的逻辑连接，但更 多的时候是相错展开，同时存在，共同发展。本文把握运动发生 之头绪，以此揭示整体演进序列中文化范式的替变关系。 本文以比较研究为基础，采用结构理论，在现象的铺排与 陈述中，寻找并呈现事物内在的逻辑联系。本文叙述框架中的两 个基本命题是：（一）中国美术现代化是现代化和反现代化两种 力量相互作用的产物；（二）中国美术现代化是内发的多向歧生 的模式系统。因此，本文将中国美术的现代化作为多个共在体在 现代情境中的动态交换来研究，提出“资源重组”和多模式的研 究方法，提出“外来冲奇内部反应—结构整合”的理论分析图式，并充分注意现代美术发展中的非主流因素。本文认为多模式的共 在互生，使中国美术从传统到现代成为连续性的行为，传统与现 代在经验世界中只是相对性的结构。本文在具体陈述中，注重第 一手的文献与图像资料，对现时诸家之说，时有厘正。更多还原

【Abstract】 Thc foundation or the rcscarch or Chinese fine arts modernizat ion is howChinese fine arts heads for modernization from the tradi tion.The dissertation is based on the stand of Chinese cultural department.It tries to present the keynote in the process of Chinese fine artsmodernization in the way of moving presentation and to fix their ownsubjects in every stage. The bas ic nature of Chinese fine artsmodernization progress is that it has its own independence and its ownway of expression. Yet every partial change was influenced by the westernculture from different classes and in different way, and queried anddestroyed the tradition from various angels.In the progress of Chinese modern fine arts modern subject is not a"single-line extension", neither does it unfold in the way of "separateacts". The concept of "separate scenes" might be more suitable."Separate acts " is a time-continuing concept;"Separate scenes" is aspace-changing concept. Every movement of modern Chinese fine arts isnot connected to one another and the complicated degrees also varied.Maybe in a certa in time the occurrence and the development of the movementswould appear to be the logical link of a causal relation, but mostly theyunfolded staggeringly, existed at the same time and developed together.This thesis seizes the thread of the occurrence of the movements so asto expose the alternate relation of cultural patterns in the wholeprocessing array.Basing on the comparative research the thesis tries to seek and presentthe internal logical relation through arranging and stating the phenomenawith structural theories. The two fundamental topics in the narrativeframe lie in:1). Chinese fine arts modernization is the result of the interaction ofmodernization and counter-modernization.2). Chinese fine arts modernization is a spontaneous multiply divergingmodel system.Therefore, this thesis studied the Chinese fine arts modernizat ion as themoving exchange of multi-coexistence in modern circums tances. It putsforward the research methods of" resources reformation" and multi-model.It advanced the theoretical analysing pattern of" external shock-internalreaction-structural conformity". It pays great attention to thenonpr incipal elements of modern fine arts development. The thesis holdsthe view that coexistence and mutual derivation of multi-model makeChinese fine arts a continual process from the tradition to modernization.Tradition and modernization are just relative structures in the empiricalworld. In concrete stating the thes is lays stress on the primaryliterature and pattern material. Frequently it puts forward theamendments to the statements of some contemporary scholars.更多还原