伊秉绶书法研究

【作者】 周寒筠；

【导师】 王冬龄； 朱青生；

【作者基本信息】 中国美术学院 ， 美术学， 2014， 博士

【摘要】 自汉末以来，书法史在一定意义上就是一部书法名家史。每一个时代所产生的名家，无不承前启后，勾连如环。撷取其一来进行观察，可知来往之变，对清代碑学代表人物伊秉绶的研究即本于这一目的。伊秉绶（1754—1815），字组似，号墨卿，福建宁化人。乾隆五十四年（1789）进士，官至扬州知府，《清史稿》入《循吏传》。其父伊朝栋与其师阴承方均是当地著名的理学家。程朱理学中持敬躬行，重视道德践履的思想，对伊秉绶的一生有重大影响。作为书法家，伊秉绶的隶书平正中和，达大顺之境，其成就超迈前代，遥接汉人。其余诸体也达到了相当的水平。本文立足于书法史，首先对伊秉绶所生活的传统社会及其家世、生平进行了考察，接着对其书法分书体进行研究，其中隶书为重中之重。在对隶书的考察中，对其取法渊源、临摹观念、创作分期、理学体现、书法境界等逐个进行了研究。之后对伊秉绶的行草、楷、篆书进行研究。最后对伊秉绶的书学思想进行了力所能及的概括。更多还原

【Abstract】 In the long river of Chinese history, calligraphy gradually becomes an art ofbeing related to personality.After Han Dynasty,in some sense, the history ofcalligraphy is the history of masters, which has a relationship of continuity betweeneach other.Yi Bingshou（1754-1815）was born in Linghua, Fujian Provence,the home ofZhuzhi. At36years old, he passed in the imperial exams and then become a Stateofficial. Yangzhou magistrate is his last official rank. He was worte into The draft ofhistory of Qing Dynasty as a model official. His father Yi Chaodong and his teacherYin Chengfang were both Neo-Confucianism thinkers.The concept of respect and stilland practical training, has a direct influence on young Yi Bingshou.AS a calligrapher,his clerical script in the Horizontal and vertical style,had a direct link to the HanDynasty. Also,he was good at in running script and regular script.Yi Bingshou is a model both in the occupation as an official and in calligraphy asan artist. This paper is trying to discuss his life in the original society, about hisfamily, his lifetime and his thought on Neo-Confucianism. Base on this, I will trunto the heart of this paper,the problem of the style of his calligraphy.At last, I Will tryto give an evaluate about his state in total history of calligraphy.更多还原