乐器学视域下的考古出土商代乐器研究

【作者】 王秀萍；

【导师】 陈建华；

【作者基本信息】 南京艺术学院 ， 音乐学， 2014， 博士

【摘要】 论文以考古出土的商代乐器为研究对象，从乐器学的研究视野出发，运用音乐学、乐器学、考古学、文献学、统计学等学科的相关理论和研究方法，对河南、山东、山西、湖南、湖北、四川等14个省份考古出土商代乐器的种类、数量进行了详细的统计、整理，并对考古出土商代乐器的地域分布、文化分区、乐器分类、型式划分以及乐学特征等问题进行了探讨和分析。在此基础上，通过将考古出土乐器与商代甲骨文、金文以及传世文献中关于商代乐器相关记载的对比分析，研究探讨了考古出土商代乐器的组合方式、组合规律以及所反映的商代社会音乐生活和商代器乐演奏艺术的特点，阐述了商代音乐在理论和实践领域所取得的成就以及对后世所产生的历史影响。更多还原

【Abstract】 In organology perspective, targeting at archaeological unearthed Shang Dynastyorchestral instruments, by means of interdisciplinary research methods including organology,musical archeology, archaeological typology, this thesis carries out a detailed statistical andcollation on the types and numbers of more than230archaeological pieces of Shang Dynastyorchestral instruments unearthed from Henan, Shandong, Shanxi, Hunan, Hubei, Sichuan andother14provinces. It also makes a deep analysis and probe of their geographical distribution,cultural district, type and style, organology classif ication.On this basis, by means of comparison and analysis between the unearthed orchestralinstruments and the related records of Shang turtle oracle, Jin Dynasty writings, andhanded-down documents, this thesis studies the combinations and laws of Shang Dynastyorchestral instruments, and explores the characteristics reflecting Shang Dynasty musicallives and the instrumental performance art.Through the analysis of acoustic measurement dataof unearthed Shang Dynasty orchestral instruments, this thesis expounds the gloriousachievements of the Shang Dynasty music in the fields of theory and practice, and highlycommends the resulting impact on the future generations.更多还原