【作者】 曹玲玉；

【导师】 王泽应；

【作者基本信息】 湖南师范大学 ， 伦理学， 2014， 博士

【摘要】 在1931-1945年的抗日战争中,中华儿女历经14年百折不挠、艰苦卓绝的全民抵抗不仅赶走了侵略、夺取了实现民族复兴伟大中国梦的关键性胜利,而且全民族放声歌唱,掀起抗战音乐狂飙,成为激荡人心的文化景观。抗战音乐在民族危亡、共赴国难的历史语境下,和“一切为了救亡”的权利话语中,汲取了相承沿袭千年的“乐通伦理”观和“乐教”思想,以爱国主义为主题、民族精神为核心,创造性的凝聚了民族自尊品格、民族团结意识,民族英雄气概、民族自强信念,民族创造精神,民族奉献精神等伦理价值观念,并以特有的音符、旋律、歌词、合唱等符号体系迅速广泛传播,最大化的发挥了抗战音乐的伦理价值。一方面,促进了中国传统音乐的现代转型,产生了《大刀进行曲》《游击队歌》《黄河大合唱》《白毛女》等唱演俱佳、尽善尽美的音乐经典之作。另一方面,弘扬了以爱国主义为核心的伟大民族精神,引领了无数中华儿女为实现民族复兴的“救亡梦”而不懈奋斗。抗战音乐作为一种文化样态,积极有效的实践了民族解放的“救亡”大业,与我国传统的“文以载道”、“乐以象德”、“乐通伦理”等一脉相承沿袭千年的致用模式息息相关,表明了我国音乐从一开始就超越了单纯的艺术形态,并作为具有道德征象功能的文化形态存在。就“乐通伦理”而言,音乐应该有普遍意义上的人格美和人伦善,尽善尽美的音乐应该合理的致用于社会人伦,如此,二者才是具有真正意义上的相通相融。抗战音乐传播观念体系是文化意识的核心,是一个民族内在的凝聚力和进取精神的源泉。以团结一致,守土报国为观念体系的音乐传播必定会自觉的净化音乐传播的环境,使抗战音乐在一个健康、向上的价值观的引领下履行传播媒介的约束和激励功能。以贴近大众生活及鼓励大众积极参与的传播方式使音乐与民众建立起前所未有的广泛联系,在血与火的洗礼中重塑国魂,重建人伦。抗战音乐传播主体恪守职业操守坚持“社会责任至上”的传播理念,构建对社会、对受众负责任的“救亡图存”话语空间,尽可能的优化战争的生存环境,构建全民抗战的舆论氛围。全民抗战时期,抗战音乐的传播同样反映民众从各自为政到统一战线到走向胜利的人与人之间关系的转换。抗战时期音乐家以“三不朽”作为其人格基点,自觉的担负“人民音乐家”音乐救国的历史使命,使其职业道德规范和职业道德良知在全民抗战年代发扬光大,凝练为“德艺双馨”的最高实践目标,不但适用于评价抗战时期的职业音乐家,同样也是当下职业音乐家毕生的价值追求。抗战音乐的伦理价值在“救亡梦”的实践中,积极主动的与审美等其他价值一起,构建了我国新音乐文化的基本样态,并在走向复兴之“中国梦”的征途上,给我们留下了丰富的值得传承和致力于行的思想启迪。更多还原

【Abstract】 In the war of resistance against Japan(1931-1945), in spite of reverses, extremely hard and bitter, the Chinese people never yield and insistnational resistance not only to get rid of the aggression, seize the key victory to achieve the great national revival China dream,but also to shpae the exciting cultural landscape of singing in the whole nation,the music becomes a hurricane。In the context of nation in peril and the strength of the history, the rights of "everything for the sake of the national salvation discourse", the music of the Anti-Japanese War draw the "general ethics" and "music education" thought which followed one thousand years, stick to the theme of patriotism、the core of national spiritas, embodies the national self-respect character, national unity consciousness, national heroic, national self-improvement belief, national creative spirit and national spirit of devotion and ethical values,and the peculiar note,melody, lyrics, chorus symbol system spread rapidly and played maximize an anti-japanese music ethics value.On the one hand, promoted the modern transformation of Chinese traditional music, produced "broadsword March"、"the guerrillas song"、"the Yellow River cantata" and "the white haired girl""and so on of, which perfect and classic. On the other hand, the musics carry forward the great national spirit with patriotism as the core,and thecombines the positive energy of the Chinese nation, has led to many Chinese people to realize national rejuvenation of’salvation dreams" and make unremitting efforts.As a kind of culture,the music of the Anti-Japanese War,practice the "national" of national liberation positive and effective, and related to the governing mode of China’s traditional "Writings are for conveying truth"、"music to as de"、"Yue Tong ethics", shows the music in our country beyond the pure art form from the outset,and as a cultural form which has the function of moral signs.In terms of "general ethics" music,the music should have universal sense of beauty of personality and human goodness,, reach the acme of perfection of music should be reasonable to human society, and so this is a sense of harmony.The communication systemis of the Anti-Japanese War music is the core of culturalconsciousness,as the source of national cohesion and enterprising spirit. Service to our country to unite,between staying in idea system of music transmission must be conscious to purify the environment for the spread of music, make the music performance of media in a healthy, upward values under the guidance of the incentive and restraint function.In order to public life and encourage the public to actively participate in the way of communication to make music and to build an unprecedented extensive connection, reshape the human spirit in the baptism of blood and fire, reconstruction of ethics. The music communication subject to occupation ethics adhere to the "social responsibility",the dissemination of ideas, the construction of social responsibility, to the audience of "saving the nation from subjugation" discourse space, as far as possible to optimize the war environment, build the atmosphere of public opinion of the war of resistance against Japan.In the period of the Anti-Japanese War,the Anti-Japanese War music also reflect people from fragmented to united front to convert to victory of interpersonal relationships.In the period of the Anti-Japanese War,most musicians used "three immortality" as their personality, taked the patriotic music historical mission of "people’s musician".the occupation ethics and occupation moral conscience carry forward in the national war time, condensed as "clubs" practice of the highest goals, not only apply to the evaluation of the professional musician during the Anti-Japanese War, is also the present professional musician in pursuit of the life valueIn the "practice of salvation dreams", theAnti-Japanese War music’s ethical value and aesthetic value.constructed the basic shape of the new music culture in our country,and in the Renaissance on the journey of the "Chinese dream",gave us a rich thoughworth inheriting and dedicated to the enlightenment.更多还原