【作者】 魏建明；

【导师】 韩美林；

【作者基本信息】 中国艺术研究院 ， 美术学， 2014， 博士

【摘要】 云南甲马是我国云南地区在民俗活动中进行宗教祭祀和祈福禳灾时用来焚烧的木刻雕版印刷品。从民俗学角度讲,它是一种民俗用品,从艺术学分类来看,它则是民间木刻版画,其内容包罗万象,丰富多彩,是人类一份极其珍贵的民间美术遗产。本论文主要从云南甲马的艺术造型结构这一角度进行研究,借用西方接受美学、艺术心理学、形式美学以及图像学等方面的理论知识与研究方法,以一个艺术实践者的背景个体去思考云南甲马所绘神祗的造型结构。论文通过三个章节的分析与阐述,对云南甲马的造型结构艺术进行了深入地探讨：首先,本论文梳理了云南甲马的历史源流和表现对象,并追朔到甲马作品的文化思想背景与神祗对应的生活原型,进而论述了云南甲马创作思想的形成渊源以及随之带来的影响。然后,文章通过对甲马图像所描绘的主要对象——神祗进行研究,将绘画形式本体语言引入云南甲马的造型结构分析,由此,分别论述作为神祗原型事物的物理结构与生命结构的艺术形式的表达规律,以及甲马作品画面结构的形式特点,并且在此基础上进一步引申到云南甲马造型结构的审美研究,说明其结构表达与风格呈现的关系,从而重点去分析云南甲马作品风格的造型结构表现。作为论文的主体部分,前者是就视觉观察而言的,它们属于艺术形式结构的研究。后者属于视觉审美范畴,它们涉及审美对象的相关认识与互动关系以及审美经验的结构表达,并与前者共同完善有关云南甲马造型结构研究的理论表述。当然,在具体的艺术创作过程中,作为事物现象的呈现,它们是不能孤立分开与清晰界判的,艺术家在创作中更多的是带着一种情愫并保持着理性的捕捉。最后,在前文研究的基础之上,本论文对于其实际运用进行了论述,强调该研究的实践意义,其中包括云南甲马造型结构研究的专业现实意义与开放性的展望。云南甲马作为事物现象的存在,有关它们的研究,我们可以借用不同学科的知识系统并打破其固有的方向性界域,用更为广阔的视野去深入认识、理解与研究它们,从而在广度与深度上拓展其开放性的客观可能性,本文对云南甲马造型结构的研究就是意图在这些方面作出有益地尝试。更多还原

【Abstract】 Jiama in Yunnan province is a kind of works made by wood engraving and printing which is burnt in the folk activities in order to hold religious worship and pray to eliminate the disasters in Yunnan province province,China. From the folklore perspective, it is a kind of folk activities.While from the perspective of art classification,it is the folk woodblock printmaking, whicn contents contain everything. Jiama in Yunnan province is a very precious folk art heritage.This thesis focus on Jiama in Yunnan province mainly from the angle of art modeling structure, refering to the theories and study methods of Western aesthetics of reception, the psychology of art, the aesthetics forms and iconography etc. This thesis is also from the angle of an individual art practitioner. This thesis includes three chapters to deeply analyze and discuss the art modeling structure of Jiama in Yunnan province:Firstly, the first chapter reviews the background and significance of the topics—the modeling of Jiama in Yunnan province and its creative ideas and influnce. Then the article study on the religion figures "Shenzhi",which is the main object Jima describes, analyzing modeling structure of Jiama in Yunnan province in tne language of painting and will separately discuss three aspects—physical structure, life structure and paintings structure, summing up the art features of modeling structure of Jiama in Yunnan province. As the main part of the article, the former one emphasizes on visual observation, which belongs to art form constructure study, while the latter one respectively emphasizes on visual appreciation of the beauty. They both study on the modeling structure of Jiama in Yunnan province.Of course,they can not be separated isolatedly.The artist is filled with strong emotion when he is working with rational catching.Finally, this article explained the practicle use and emphasizes on its practicle meaning of modeling structure of Jiama in Yunnan province,,including its professional significance and open future of the studyAs a phenomenon, the study of Jiama in Yunnan province, with a broader perspective, can refer to different knowledge system and disciplines to break its directional domain inherent. In order to expand the open objective possibility in the breadth and depth, this paper studying on the modeling structure of Jiama in Yunnan province is the intention to make some useful attempts in these areas.更多还原