【作者】 王跃奎；

【导师】 卢禹舜；

【作者基本信息】 中国艺术研究院 ， 美术学， 2014， 博士

【摘要】 新中国成立后,国家推行自延安时期以来的文艺方针政策,要求艺术要为工农兵服务,为社会主义服务,加强艺术的政治宣传作用。在这一政治思想背景下,中国山水画被卷入革命历史的潮流,面临着必须加以改造的命运。从此,山水画走上了为工农兵服务,为社会主义建设服务的道路,为山水画的创新与发展准备了历史条件。在新中国十七年山水画创新过程中,题材、笔墨、意境是三个最核心的问题,而政治又是这个核心问题的纽带和灵魂。政治首先要求山水画的意境要表现社会主义时期的时代精神,从意境出发选择符合这一意境的题材,从题材中探索符合题材内容和意境的新笔墨形式,这个逻辑顺序是意境——题材—笔墨。而本文研究的重点是题材和笔墨的新变,以此为出发点,探讨新中国十七年山水画创新的实现过程,从而为当代中国山水画的创新发展提供有益的借鉴。本文以新中国十七年山水画的“题材”和“笔墨”为核心,以这一时期的理论探讨和实践作品为“立足点”,以“题材之变”和“笔墨之变”为研究对象,从新中国十七年的社会政治、思想、文化语境中,探讨题材之变的原因,题材之变的理论发展,题材之变的实践和笔墨之变的理论发展,笔墨之变的面貌,以及李可染和石鲁在笔墨上的个案研究,其中围绕题材之变和笔墨之变的发展过程进行重点剖析,旨在阐明从题材之变到笔墨之变的实现过程。通过这一系列逻辑关系的阐述,考察新中国十七年山水画改造的发生发展历程,考察这一时期山水画如何实现现代转型,考察新中国政府如何实现艺术的政治功能,使我们明晰新题材的选择与开拓对新中国十七年山水画发展的重大意义,明晰时代精神对山水画笔墨与境界的激活,明确政治对山水画发展的角色作用,以及政治该如何指导艺术才能充分发挥艺术自身的自律作用。总之,本文通过详细论述新中国十七年山水画从题材之变到笔墨之变的过程,揭示了这一时期新题材、新笔墨反映社会主义新时代精神的诸多因素,解析了这一时期山水画如何完成现代转型的过程,为当今山水画的创新发展提供有益的借鉴意义。更多还原

【Abstract】 After the founding of new China, the guidelines and policies about literature and art have been carried out since the period of Yanan, the requirement is put forward that art should service for workers, peasants and soldiers, serve for socialism, and strengthen the propaganda of art. Under the background of political thought, Chinese landscape paintings were involved in the tide of history, facing the fate to be modified. From then on, the landscape also has taken the head as the service for workers, peasants and soldiers, serving for socialist construction road and preparing the historical conditions for innovation and development of landscape painting.In the seventeen-year process of innovation on the new China landscape painting, subject matter, brush-and-ink, artistic conception have become the core of three questions, and politics is bond and soul of the core issue. Politics at first requires the artistic conception of landscape painting to show the contemporary spirit of the socialist period, starting from the concept selection conforms to the artistic conception of the subject matter, from the subject in line with the theme content and the artistic conception of exploring new form of brush-and-ink. This logical order is as follow:artistic conception, subject matter and brush-and-ink. But in this paper, our study focuses on the new change on theme and brush-and-ink, as a starting point, discussesing the realization of the process of innovation with the development of seventeen-year new China landscape paniting. As a result, this paper could provide the beneficial reference for the innovative development of contemporary Chinese landscape painting.Based on17years of the People’s Republic of China landscape painting of the "subject" and "brush-and-ink" as the core, with theoretical discussion and practical work in this period as "a foothold", to "change" of the subject and "the change of brush-and-ink" as the research object, from seventeen years of new China social politics, ideology, cultural context, investigate the cause of the change of theme, subject matter of the theory development, the practice of the change of subject of theory development, and ink brush-and-ink in the face of the change. Li Keran and Shi Lu in ink on the case study, in which around the theme of the development of the change and the ink to highlight, aims to illustrate from the subject of the implementation process of change to the brush-and-ink. Through this a series of logical relationship, to investigate the new China of landscape transformation for17years development course, landscape painting how to realize the modern transformation during this period, the government of the People’s Republic of China how to implement the political function of art, we gradually clear the new subject selection and development of the new China landscape painting development of great significance for17years, clear the time spirit of landscape painting ink and activation, clear political role to the development of landscape painting, as well as political how to guide the art can give full play to their own discipline.In short, in this article, the process of change from subject to brush-and-ink has been discussed in detail since the development of seventeen-year new China landscape paniting. What’s more, this paper also reveals many factors of the new subject and new ink during this period, which reflects the spirit of the new socialist era, parsing the whole process of the landscape painting during this period, how to complete changing to the modernism. It provides the beneficial reference for the innovation and development of modern landscape paniting.更多还原