【作者】 金纹廷；

【导师】 方李莉；

【作者基本信息】 中国艺术研究院 ， 艺术学， 2014， 博士

【摘要】 本文是对中国北京798艺术区和韩国首尔仁寺洞文化区进行的比较研究,同时也是对798艺术区进行的追踪研究。本文选择两个艺术区作为研究对象,从多角度出发,分别进行个案研究、访谈、问卷调查等田野考察,对两者进行理论性阐释并赋予其一定意义。在对798艺术区和仁寺洞文化区进行比较研究的过程中,从整体上进行把握,关注两个艺术区内所有发生相互关系的主体,即“人”；同时,对两个艺术区的特征进行综合性研究与分析。对艺术区的建筑结构,本文更关注使用者的体验、心理等层面。即在以人体为基础的感觉层面上,“景观”作为一种具有象征价值的文化性视觉形象再现出来；而“空间”则是通过运用各种身体活动的感官所带来的个人体验进行研究,“景观”和“空间”这两个范畴成为本文的核心论点。首先,798艺术区和仁寺洞文化区都是在废弃的工厂建筑和机械设备上建立的,仁寺洞街道的韩屋和古董是将旧物进行最大化利用,不断地尝试通过景观的再现进行象征性实践,并通过各种符号和形象进行自我传播。本文利用“边缘”和“传统”两个概念,通过作用于两个艺术区景观上的表象化战略而明显地再现出其象征性意义,及其与中韩现代美术史中核心问题的关联性；同时在后现代时代卷入资本争夺战的大量城市空间及场所中,景观表象如何作为一种独特且极具魅力的自身特性得以抢占风头。构成两个艺术区景观的所有视觉性装饰和形象之间反映着一种不同的利害关系,中韩现代美术史的论题和激烈的思考通过艺术区这一平台,以景观的视觉性再现方式真实地体现在了具体的空间中。最终,整个艺术空间深深的打下了中韩现代美术史发展历程的烙印,同时,又通过景观的表象化战略使“被创造出的象征性价值”因此获得了历史价值和文化的真实性。如今,呈现在我们面前的798艺术区和仁寺洞文化区的公共空间通过使用者的亲身体验,再一次被分解成为个人活动场所,并在主观、心理层面发生新的重构。本文中涉及的“互动概念”,即全新媒体环境和互动艺术,可以在理论上对此现象进行验证。在“互动概念”中,代表着中韩两国文化艺术的798艺术区和仁寺洞文化区,首先根据人们自身的身体体验被分解成无数个小场所,之后随着我们的选择和活动重新被组合成具有流动性的新空间,这正是本文所主张的两个艺术区空间的解构与重构。在此过程中,能够实现这种“互动”,并使艺术共享价值在现实生活中得以实现。更多还原

【Abstract】 This thesis is the comparative study on798Art District in Beijing, China and the Insadong Cultural District in Seoul, Korea, and meanwhile the follow-up study on798Art District. With the two art districts as the object of study, this thesis, starting from multiple angles, conducts the field investigation including case study, interview and questionnaire respectively, and interprets the two districts theoretically and endows them with certain significance. During the comparative study on798Art District and Insadong Cultural District, I adopt a study method mastering from the overall level, focuses on the subject of all interrelations in these two districts, i.e."human", and conducts comprehensive study and analysis on the characteristics of these two districts. In the aspect of architectural structure, this thesis pays more attention to the experiences, mentality and such levels of the users. Especially the "landscape" reappears as a kind of cultural visual image with the symbolic values in the sensation level based on human bodies, while "space" is studied through the individual experiences brought about by senses of various body movements. The two categories of "landscape" and "space" are the core arguments of this thesis.First of all, the798Art District and Insadong Cultural District are both constructed on waste plant buildings and mechanical equipments. The Korean traditional houses and antiques on the streets of Insadong make use of the old things maximally, continuously try to conduct symbolic practice through the reappearance of the landscape, and propagate themselves by various symbols and images. The two concepts of "margin" and "tradition" are reappeared obviously by the symbolic strategies functioning on the landscapes of these two districts. The symbolic meaning connects with the core problems of contemporary art history of China and South Korea. In the meantime, among the large number of urban spaces and venues involved in the scramble for capital in the post-industry age, it steals the thunder by its unique and charming characteristics. A different stake exists between all visual decoration and image comprising the landscapes in these two art districts. Further, the arguments and intense thinking of Chinese and Korean contemporary art histories, through the platform of art district, are truly shown in specific space by the visual reappearance of the landscape. Finally, the entire artistic space is completely impressed by the development process of Chinese and Korean contemporary art histories, and acquires the historical value and cultural authenticity value through the "created symbolic value" of the symbolic strategies of the landscapes. Nowadays, the public space of798Art District and Insadong Cultural District presented visually in front of us are decomposed to individual activity venue through the in person experiences of the users, and reconstructed in the aspects of subjectivity and mentality. This thesis also mentions the concept of "interactivity", which is the brand new media environment and interactive art. This "interactivity" can be verified theoretically. Therefore, the798Art District and Insadong Cultural District respectively representing the culture and arts of China and South Korea are firstly decomposed to numerous small venues according to our own physical experiences, and later recomposed to the mobile new space with our selection and.activities. This is the decomposition and reconstruction of two artistic spaces I advocate. During this process, the "interactivity" can be realized and the artistic shared value can be practiced in the actual life.更多还原